As a single mother of five, Mrs. Millicent Torkelson is a do-it-yourselfer with a flair for finding ingenious ways to make ends meet. Her oldest daughter Dorothy is a sensitive dreamer who ... See full summary »
The day to day life of the muppet-like inhabitants of a wind-up music box castle. This Castle is named Eureeka's Castle and it's owned by a giant. Of the inhabitants there's Eureeka, a ... See full summary »
Marshall Teller's family moves to the small country town of Eerie, Indiana (Pop. 16,661). There, Marshall discovers that Eerie, as he puts it, "is the center of weirdness for the universe".... See full summary »
Elizabeth, Jeremy, and Harry Martin have had it with their workaholic, nagging mother and they get in trouble at school with bullies and almost smoking cigarettes. They go to this ... See full summary »
Aaron Michael Metchik
When Marcy Bradford dies, she leaves her teen-age daughter Nicole in the custody of a father she has never met; or rather, two fathers - Michael, a straight and formal man; and Joey, a wild... See full summary »
Comedy about awkward teenager Pepper Ann, who only really has 2 friends, and manages to put other kids off by her slightly-nerdy behaviour, constant bad timing and insistence on trying to ... See full summary »
As a single mother of five, Mrs. Millicent Torkelson is a do-it-yourselfer with a flair for finding ingenious ways to make ends meet. Her oldest daughter Dorothy is a sensitive dreamer who finds solace by talking to the "man in the moon". The rest of the clan includes Steven Floyd, Chuckie Lee, Mary Sue and Ruth Ann, all of whom easily get themselves in and out of trouble. Making the best of bad times. Written by
Series creator Lynn Montgomery claims to have gotten the name "Torkelson" from a real-life Steven Floyd Torkelson, who had showed her his bug collection, and shared his first kiss with her thirty years earlier. See more »
Although The Torkelsons was an ensemble comedy, Connie Ray and Olivia Burnette were the obvious stars. They took characters who could have been caricatures (the frazzled, whacky southern mama and her precocious wannabe-poet daughter) and gave rich, realistic and complex performances. Dorothy Jane's crush on Riley was realistically poignant, exciting and angsty as only unrequited teen love can be. The jokes were cute, the lessons learned didn't clobber watchers over the head, and the Torkelsons had a moral-center much more admirable and realistic than most "family values" programming. Networks didn't know what to do with this show. It was so unique that it was difficult to fit smoothly into programming blocks. It was bounced around in the schedule so much that devoted fans set up calling networks to alert each other when they happened to find an episode on the air.
Almost Home tried to put The Torkelsons' heart and wit into a more marketable package, but the sarcastic city kids' reaction to the earnest Oklahomans mirrored the condescension shown by network executives.
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