As a single mother of five, Mrs. Millicent Torkelson is a do-it-yourselfer with a flair for finding ingenious ways to make ends meet. Her oldest daughter Dorothy is a sensitive dreamer who ... See full summary »
The day to day life of the muppet-like inhabitants of a wind-up music box castle. This Castle is named Eureeka's Castle and it's owned by a giant. Of the inhabitants there's Eureeka, a ... See full summary »
Marshall Teller's family moves to the small country town of Eerie, Indiana (Pop. 16,661). There, Marshall discovers that Eerie, as he puts it, "is the center of weirdness for the universe".... See full summary »
"Empty Nest" is set in Miami and tells of the day to day misadventures of a widowed pediatrician, Harry Weston, and his two adult daughters, Barbara and Carol Weston, who have come back to ... See full summary »
Ad agency superstar Michael Davis has it all. He's a great provider and is proud of the restored farmhouse where his wife, Rachel, and their three kids live. But Michael has lost touch with... See full summary »
As a single mother of five, Mrs. Millicent Torkelson is a do-it-yourselfer with a flair for finding ingenious ways to make ends meet. Her oldest daughter Dorothy is a sensitive dreamer who finds solace by talking to the "man in the moon". The rest of the clan includes Steven Floyd, Chuckie Lee, Mary Sue and Ruth Ann, all of whom easily get themselves in and out of trouble. Making the best of bad times. Written by
Series creator Lynn Montgomery claims to have gotten the name "Torkelson" from a real-life Steven Floyd Torkelson, who had showed her his bug collection, and shared his first kiss with her thirty years earlier. See more »
Although The Torkelsons was an ensemble comedy, Connie Ray and Olivia Burnette were the obvious stars. They took characters who could have been caricatures (the frazzled, whacky southern mama and her precocious wannabe-poet daughter) and gave rich, realistic and complex performances. Dorothy Jane's crush on Riley was realistically poignant, exciting and angsty as only unrequited teen love can be. The jokes were cute, the lessons learned didn't clobber watchers over the head, and the Torkelsons had a moral-center much more admirable and realistic than most "family values" programming. Networks didn't know what to do with this show. It was so unique that it was difficult to fit smoothly into programming blocks. It was bounced around in the schedule so much that devoted fans set up calling networks to alert each other when they happened to find an episode on the air.
Almost Home tried to put The Torkelsons' heart and wit into a more marketable package, but the sarcastic city kids' reaction to the earnest Oklahomans mirrored the condescension shown by network executives.
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