| Robby Benson | ... | Prince Valiant (65 episodes, 1991-1994) | |
| Michael Horton | ... | Arn (65 episodes, 1991-1994) | |
| Noelle North | ... | Rowanne (65 episodes, 1991-1994) | |
| Alan Oppenheimer | ... | Merlin (65 episodes, 1991-1994) | |
| Efrem Zimbalist Jr. | ... | King Arthur (65 episodes, 1991-1994) | |
| Samantha Eggar | ... | Queen Guinevere (65 episodes, 1991-1994) | |
| Tim Curry | ... | Sir Gawain (65 episodes, 1991-1994) | |
| James Avery | ... | Sir Bryant (65 episodes, 1991-1994) | |
| Dorian Harewood | ... | Sir Bryant (59 episodes, 1991-1994) |
Series Writing credits | ||
| David J. Corbett | (35 episodes, 1991-1994) | |
| Brooks Wachtel | (13 episodes, 1991-1994) | |
| Frank Kerr | (8 episodes, 1991-1992) | |
| Diane Dixon | (7 episodes, 1991-1992) | |
| Garfield Reeves-Stevens | (7 episodes, 1992-1993) | |
| Judith Reeves-Stevens | (7 episodes, 1992-1993) | |
| Douglas Brooks West | (4 episodes, 1992-1994) | |
| Sam Graham | (3 episodes, 1992) | |
| Chris Hubbell | (3 episodes, 1992) | |
| Bruce Onder | (3 episodes) | |
| Karen Willson | (2 episodes, 1991) | |
| Martin Pasko | (2 episodes, 1992) | |
| Marty Paskow | (2 episodes, 1992) | |
| Hal Foster | (unknown episodes) | |
Series Produced by | |||
| Mary Chojnowski Corbett | .... | associate producer (29 episodes, 1991-1992) | |
| David J. Corbett | .... | producer (28 episodes, 1991-1992) | |
| Gwen Wetzler | .... | line producer (28 episodes, 1991-1992) | |
| William E. Miller | .... | executive producer (27 episodes, 1991-1992) | |
| Jeffrey Schon | .... | executive producer (27 episodes, 1991-1992) | |
| Bruno-René Huchez | .... | supervising producer / supervising producer: France (4 episodes, 1991-1992) | |
| Barham Rohani | .... | supervising producer (3 episodes, 1992) | |
| Michel Lyman | .... | line producer (2 episodes) | |
Series Original Music by | |||
| Steve Sexton | (1 episode) | ||
Series Production Management | |||
| Jean-Marc Desrosiers | .... | production supervisor / production supervisor: France (4 episodes, 1991-1992) | |
| Caroline Guicheux | .... | production manager / production manager: France (4 episodes, 1991-1992) | |
| Mary Katherine Moore | .... | production manager (4 episodes, 1991-1992) | |
| Choi An Hee | .... | executive in charge: Sei Young Animation / executive in charge (3 episodes, 1991-1992) | |
| Joe Jung Jin | .... | executive in charge: Sei Young Animation / executive in charge (3 episodes, 1991-1992) | |
| Pierre Métais | .... | production manager / production manager: France (3 episodes, 1991-1992) | |
| James Ackerman | .... | executive in charge of production: The Family Channel (2 episodes, 1991) | |
| Michael Kaweski | .... | production supervisor: Korea (2 episodes, 1992) | |
| G. Scott LaBarge | .... | production supervisor: France (2 episodes, 1992) | |
Series Art Department | |||
| Vincenzo Trippetti | .... | storyboard / storyboard artist (26 episodes, 1991-1992) | |
| Gerald Forton | .... | storyboard cleanup / storyboard artist (3 episodes, 1991-1992) | |
| Aleta Fritz-Kozak | .... | storyboard cleanup (3 episodes, 1991-1992) | |
| Cesar Magsombol | .... | storyboard cleanup (3 episodes, 1991-1992) | |
| Llyn Hunter | .... | storyboard cleanup (2 episodes, 1991-1992) | |
Series Sound Department | |||
| Deb Adair | .... | dialogue editor / dialogue recording & editing: Screenmusic Studios (3 episodes, 1991-1992) | |
| Chris Eaton | .... | dialogue editor / dialogue recording & editing: Screenmusic Studios (3 episodes, 1991-1992) | |
| Jim Hodson | .... | post production audio (2 episodes, 1991) | |
| Bill Koepnick | .... | post production audio (2 episodes, 1991) | |
| Marc Perlman | .... | post production audio (2 episodes, 1991) | |
Series Animation Department | |||
| Michael Kaweski | .... | animation director / animation production supervisor: Korea (4 episodes, 1991-1992) | |
| Dae-jung Kim | .... | animation director / animation director: Sei Young Animation (4 episodes, 1991-1992) | |
| Michel Lyman | .... | animation director (4 episodes, 1991-1992) | |
| James P. Alles | .... | background layout artist / background layout (3 episodes, 1991-1992) | |
| Allyn Conley | .... | color key artist (3 episodes, 1991-1992) | |
| Paula Lafond | .... | additional model designer (3 episodes, 1991-1992) | |
| June Micu | .... | background color (3 episodes, 1991-1992) | |
| Marija Miletic Dail | .... | animation director (3 episodes, 1991-1992) | |
| Ron Myrick | .... | animation director (3 episodes, 1991-1992) | |
| Shayne Poindexter | .... | additional model designer (3 episodes, 1991-1992) | |
| Jesse Santos | .... | original model designer / background layout artist / ... (3 episodes, 1991-1992) | |
| Barbara Schade | .... | background color (3 episodes, 1991-1992) | |
| Isabelle Massenet | .... | color key artist (2 episodes, 1991-1992) | |
| Philippe Mignon | .... | additional model designer (2 episodes, 1991-1992) | |
Series Music Department | |||
| Steve Sexton | .... | composer: theme music (30 episodes, 1991-1992) | |
| Gerald O'Brien | .... | composer: theme music (2 episodes, 1991) | |
Series Other crew | |||
| Diane Dixon | .... | story editor (29 episodes, 1991-1992) | |
| Stu Rosen | .... | voice director (27 episodes, 1991-1992) | |
| Loretta Abata | .... | production auditor (4 episodes, 1991-1992) | |
| Peggy Fausone | .... | production secretary / production assistant (4 episodes, 1991-1992) | |
| Lisa Larrick | .... | production secretary / production coordinator (4 episodes, 1991-1992) | |
| Andrew J. Leith | .... | production assistant / production coordinator (4 episodes, 1991-1992) | |
| John Arnold | .... | educational consultant (3 episodes, 1991-1992) | |
| Suka Keppel | .... | production assistant (3 episodes, 1991-1992) | |
| Austin Hearst | .... | production executive: Hearst Entertainment Distribution (2 episodes, 1991) | |
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| Prince Valiant | Prince Valiant | The Adventures of Sir Galahad | King Arthur | Robin Hood |
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I respectfully disagree with the poster who had issues with the female lead's voice. On the contrary, Noelle North's voice was among the highlights of this series, which this long-time Prince Valiant fan heartily enjoyed from start to (*sigh*) finish. Thanks, Noelle, for making this Legend all that much better.
I do agree that the animation at times wasn't the best -- especially when characters and horses and such were walking. But I suspect that this had more to do with the budget and deadlines than the talent of the animators. More important, isn't it great that people still hold the Arthurian legends near and dear to their hearts? I can't help but think that this was a labor of love for most of those who contributed to The Legend of Prince Valiant.