Forrest Bedford is a Southern lawyer in the late 1950s, generally content with his privileged life. But the winds of change are blowing, and he becomes increasingly involved with civil ... See full summary »
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2   1  
1993   1992   1991  
Won 2 Golden Globes. Another 31 wins & 37 nominations. See more awards »

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Cast

Series cast summary:
...
 Forrest Bedford (38 episodes, 1991-1993)
...
 Lilly Harper (38 episodes, 1991-1993)
...
 Nathaniel 'Nathan' Bedford (38 episodes, 1991-1993)
...
 Francie Bedford (38 episodes, 1991-1993)
...
 John Morgan Bedford (38 episodes, 1991-1993)
...
 Christina LeKatzis (38 episodes, 1991-1993)
Peter Simmons ...
 Paul Slocum (38 episodes, 1991-1993)
...
 Adlaine Harper (19 episodes, 1991-1993)
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Storyline

Forrest Bedford is a Southern lawyer in the late 1950s, generally content with his privileged life. But the winds of change are blowing, and he becomes increasingly involved with civil rights cases. Mean- while, Lilly Harper, who cares for his children, is on her own journey of political and personal awareness. Written by Cleo <frede005@maroon.tc.umn.edu>

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Drama

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7 October 1991 (USA)  »

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Io volerò via  »

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1.33 : 1
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Did You Know?

Trivia

The character 'Forrest Bedford' was ranked #17 in TV Guide's list of the "50 Greatest TV Dads of All Time" (20 June 2004 issue). See more »

Quotes

[Francie and John Morgan are fighting in the back seat]
D.A. Forrest Bedford: If I have to stop this car somebody's going to regret it!
See more »

Connections

Referenced in Seinfeld: The Virgin (1992) See more »

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User Reviews

An incredible series that I'm amazed was originally on commercial TV.
18 July 2005 | by (San Francisco, CA) – See all my reviews

Respectfully, I disagree with the one comment posted so far.

My wife and I discovered this series when it was on PBS. As stated, we are amazed that something this good was originally on commercial TV. Is it totally unrealistic that a maid would ultimately be that outspoken, and that a Southern white lawyer could slowly have his eyes opened? Maybe. But I think the key is that everything developed slowly, over time. There were no unrealistically sudden conversions.

Among the other things that impressed us: There were no easy answers; every episode, it seems, almost painfully explored issues with complexity. If you want easy answers, this is not the series for you.

"To Kill a Mockingbird" was certainly a classic (although, as my 85 year-old father has observed, Gregory Peck played the same essential character in virtually every movie.) And it may be true that its characterization was true of the vast majority of even well-meaning southern whites. But I accept the possibility that, even in that time, at least one person of color "pushed the envelope". And that at least one Southern white of good heart found himself or herself slowly transformed.

If you can accept this, admire this series for its excellent performances and refusal to take the easy way out in any episode.


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