Detective Chief Superintendent Tatton asks PC Bradley to harbour Barry Ross, who has turned queen's evidence at the trial against crime boss Michael James Duggan. To keep Duggan from finding Ross the...
Paul Slippery (Hugh Laurie), a forty-something doctor, lives with his wife Estelle and three sex-obsessed sons Rory, Daniel and Edwin in the west London suburb of Putney. On top of coping ... See full summary »
Constable Nick Rowan is a English Policeman in the 1960's who decides to be reassigned to the same small village where his wife was born. There, he patrols the countryside as a part of a small attachment in the area dealing with the various events and problems that come up while at same time keeping a eye on Claude Greengrass, the local rogue. Written by
Kenneth Chisholm <firstname.lastname@example.org>
The reason none of Nicholas Rhea's original stories were adapted for this series was because some of the real Greengrass's activities were rather bizarre, and because one of his reminiscences was a near duplication of a James Herriot story (the one about the dog who was put to sleep because he was thought to have been attacking sheep, only to be proven innocent after the fact when the real culprit was shot to death somewhat later, after he had died). See more »
In the opening titles for Series 18, a shot of David's maroon lorry has been reversed: the lettering on the number-plate is a mirror image. See more »
This TV series manages to combine all the elements that make for a pleasant and at times absorbing hour in front of the TV - good varied characters, a range of occupations, although of course the policemen dominate, creative and simultaneously plausible story lines - usually one serious criminal occurrence and one lighthearted theme per episode
and all of it set in rural English village landscape (Yorkshire)
which looks very nice and a contrast from urban Britain which I find mostly quite dreary and depressing. The 1960s seem a long time ago now, before Britain joined the EEC, when it still used non-decimal currency and imperial measurements, when it was still largely "monocultural", and when there were still steam trains. There are also those dinky British 60s cars, motorbikes and trucks that everyone gets around in, miniskirts and pop hits of the time on the soundtrack. What more could you ask for? Another commentator says it screens in the UK on Sunday nights - here it has always screened early on Saturday afternoons which isn't exactly prime time, a pity.
16 of 17 people found this review helpful.
Was this review helpful to you?