Detective Chief Superintendent Tatton asks PC Bradley to harbour Barry Ross, who has turned queen's evidence at the trial against crime boss Michael James Duggan. To keep Duggan from finding Ross the...
Paul Slippery (Hugh Laurie), a forty-something doctor, lives with his wife Estelle and three sex-obsessed sons Rory, Daniel and Edwin in the west London suburb of Putney. On top of coping ... See full summary »
Researcher Dr. Stephen Ezard returns home to the UK after the reported death of his brother, Michael Ezard, only to find that his widow, Yasim Anwar, is harboring a wanted yet deathly ill ... See full summary »
After publishing a rant about 'idiots' - frantically hip, ignorant scenesters - Dan Ashcroft finds these same people embracing him as his idol and his nerves constantly tested by his biggest fan, moronic scene personality Nathan Barley.
Constable Nick Rowan is a English Policeman in the 1960's who decides to be reassigned to the same small village where his wife was born. There, he patrols the countryside as a part of a small attachment in the area dealing with the various events and problems that come up while at same time keeping a eye on Claude Greengrass, the local rogue. Written by
Kenneth Chisholm <firstname.lastname@example.org>
In the earlier episodes, when George Ward (Stuart Golland) was in charge of the Aidensfield Arms, it was mentioned on several occasions that the fire in the bar had never been allowed to go out since the pub first opened. This was based on the real-life tradition at The Legendary Saltersgate Inn on the Whitby-Pickering road near the Hole of Horcum, a few miles from Goathland where the Aidensfield village scenes are filmed. It was said that the fire at the Saltersgate stayed lit for over 200 years, reputedly because an early publican had killed a customs officer and buried his body beneath the fireplace, and then lit a fire to avoid the hiding place being detected. See more »
In the opening titles for Series 18, a shot of David's maroon lorry has been reversed: the lettering on the number-plate is a mirror image. See more »
So Heartbeat is to leave us after so many years of memorable moments. Some will say it should have gone years ago but for millions it is as much of the furniture as the Sunday roast.
Sure the story lines are a little far-fetched and the cast is barely recognisable from those group of people who we first welcomed into our homes in 1992 but the spirit of the show remains the same and the mix between drama and comedy is as alive as it was when Nick Berry first donned the motorbike and uniform.
We need these type of shows on TV but sadly for the network bosses it's all about ratings and keeping things fresh for the young people and Heartbeat it seems does not meet this criteria.
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