Detective Chief Superintendent Tatton asks PC Bradley to harbour Barry Ross, who has turned queen's evidence at the trial against crime boss Michael James Duggan. To keep Duggan from finding Ross the...
Paul Slippery (Hugh Laurie), a forty-something doctor, lives with his wife Estelle and three sex-obsessed sons Rory, Daniel and Edwin in the west London suburb of Putney. On top of coping ... See full summary »
Three old men from Yorkshire who have never grown up face the trials of their fellow town citizens and everyday life and stay young by reminiscing about the days of their youth and attempting feats not common to the elderly.
After publishing a rant about 'idiots' - frantically hip, ignorant scenesters - Dan Ashcroft finds these same people embracing him as his idol and his nerves constantly tested by his biggest fan, moronic scene personality Nathan Barley.
Constable Nick Rowan is a English Policeman in the 1960's who decides to be reassigned to the same small village where his wife was born. There, he patrols the countryside as a part of a small attachment in the area dealing with the various events and problems that come up while at same time keeping a eye on Claude Greengrass, the local rogue. Written by
Kenneth Chisholm <email@example.com>
In the earlier episodes, when George Ward (Stuart Golland) was in charge of the Aidensfield Arms, it was mentioned on several occasions that the fire in the bar had never been allowed to go out since the pub first opened. This was based on the real-life tradition at The Legendary Saltersgate Inn on the Whitby-Pickering road near the Hole of Horcum, a few miles from Goathland where the Aidensfield village scenes are filmed. It was said that the fire at the Saltersgate stayed lit for over 200 years, reputedly because an early publican had killed a customs officer and buried his body beneath the fireplace, and then lit a fire to avoid the hiding place being detected. See more »
In the opening titles for Series 18, a shot of David's maroon lorry has been reversed: the lettering on the number-plate is a mirror image. See more »
I've been watching Heartbeat for the past 7 years and have to say that it's a very gentle show. The show did suffer after losing the character of Greengrass but I like the way that things have picked up after a brief boring period. The character of Peggy is a bit tiresome but you can cope with her if you ignore the fact that she's supposed to be their latest replacement for Greengrass. I don't know how long this show can still continue to be set in the 60s for though when you consider the fact that soon the cast will begin to look much older than they were ten years ago. Overall it combines some great sounds of the sixties with some entertaining stories about crime.
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