A young college student is sent to prison as much for killing a pedestrian with his car as for not paying his parking tickets. When the opportunity presents itself he escapes and is ... See full summary »
The story of a young group of siblings pretty much abandoned by their parents, surviving by their wits - and humor - on a rough Manchester council estate. Whilst they won't admit it, they ... See full summary »
Today's technical wizardry wasn't available when Charlie Hoover was in production. Sam Kinison's character was a little guy standing on Charlie's shoulder. The technical challenge of hand-coordinatng two cameras required Sam to stand still so they could position him -- maybe bowing a little, or maybe making a hand gesture or two. But his natural high energy was lost and his comedic genius was stifled. The whole thing could have been cured by allowing Sam to be a full-sized person. But no, a suicidal embrace of the "little guy" concept sent this show into the crapper. And more, the set was plagued by a director who micro-managed every tiny aspect of expression, vocal emphasis and movement. They couldn't have done a better job of suffocating the special talents of Sam Kinison, Tim Matheson, and Leslie (Engleberg) Kendall.
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