A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry... See full summary »
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She is a bit reluctant, so he ties her up. Will this approach endear him to her? Written by
Colin Tinto <email@example.com>
The sex scene between Antonio Banderas and Victoria Abril took nine takes to get right, and about nine hours to film. Pedro Almodóvar chose to use the last take as, by that time, the two actors had worked themselves up into a sweat which made the scene appear to be more authentic. Elia Kazan later remarked that he thought it was one of the best sex scenes he had ever witnessed. See more »
When Ricky accepts to take Marina out, to search for painkillers, she puts on a dress without underwear. When they return home she undresses showing a pair of white panties. See more »
I'm 23 years old, I have 50,000 pesetas, and I'm alone in the world. I'll try to be a good husband to you and a good father to your children.
See more »
I'm amazed that people don't get the irony underlying this film. If you've seen other, earlier Almodovar films, you'll know that he explores sexual situations that come emanate from all sorts of crazy situations (think of Law of Desire (1987), for example, in which Banderas plays a man exploring his homosexuality). But what makes this film so great is that, unlike Almodovar's other films, it attempts to explore the nature of the "conventional," heterosexual matrix which, through Almodovar's eyes, becomes completely nonsensical. Indeed, the relationship between Marina and Ricky is meant, ultimately, to be a parody of how such relationships work, as if heterosexuality (and its consequence, marriage) are almost inevitably equivalent in character to the infamous Stockholm syndrome. The final twist of the film, mistakenly hated for its apparently patriarchal overtones, is in fact a humorous subversion of conventional sexual politics. `You're crazy! Love a man who kidnaps you and ties you up? Is that normal?' exclaims Marina's sister. Well, actually, yes, according to Almodovar, it's completely normal. When viewed with irony (most viewers seem to have a bad case of literal disease when it comes to this film), this movie is a devastating critique of modern heterosexuality. Note that the trio sing the Spanish version of "I will survive" at the very end, when everything has supposedly worked out, in Candide fashion, for the best...
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