Tie Me Up! Tie Me Down!
(1990)
|
|
| 0Share... |
Tie Me Up! Tie Me Down!
(1990)
|
|
| 0Share... |
| Cast overview, first billed only: | |||
| Victoria Abril | ... | ||
| Antonio Banderas | ... | ||
| Loles León | ... |
Lola
|
|
|
|
Julieta Serrano | ... |
Alma
|
|
|
María Barranco | ... |
Médica
|
| Rossy de Palma | ... |
Camello en Vespa
|
|
|
|
Francisco Rabal | ... |
Máximo Espejo
|
|
|
Lola Cardona | ... |
Directora psiquiátrico
|
|
|
Montse G. Romeu | ... |
Periodista
|
|
|
Emiliano Redondo | ... |
Decorador
|
|
|
Oswaldo Delgado | ... |
Fantasma
|
|
|
Concha Rabal | ... |
Farmacéutica
|
|
|
Alberto Fernández | ... |
Productor
|
|
|
José María Tasso | ... |
Anciano psiquiátrico
|
| Angelina Llongueras | ... |
Montadora
|
|
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She is a bit reluctant, so he ties her up. Will this approach endear him to her? Written by Colin Tinto <cst@imdb.com>
I'm amazed that people don't get the irony underlying this film. If you've seen other, earlier Almodovar films, you'll know that he explores sexual situations that come emanate from all sorts of crazy situations (think of Law of Desire (1987), for example, in which Banderas plays a man exploring his homosexuality). But what makes this film so great is that, unlike Almodovar's other films, it attempts to explore the nature of the "conventional," heterosexual matrix which, through Almodovar's eyes, becomes completely nonsensical. Indeed, the relationship between Marina and Ricky is meant, ultimately, to be a parody of how such relationships work, as if heterosexuality (and its consequence, marriage) are almost inevitably equivalent in character to the infamous Stockholm syndrome. The final twist of the film, mistakenly hated for its apparently patriarchal overtones, is in fact a humorous subversion of conventional sexual politics. `You're crazy! Love a man who kidnaps you and ties you up? Is that normal?' exclaims Marina's sister. Well, actually, yes, according to Almodovar, it's completely normal. When viewed with irony (most viewers seem to have a bad case of literal disease when it comes to this film), this movie is a devastating critique of modern heterosexuality. Note that the trio sing the Spanish version of "I will survive" at the very end, when everything has supposedly worked out, in Candide fashion, for the best...