Bored with her marriage to burnt out poet turned corporate executive Thierry, Zandalee falls prey to an old friend of her husband, the manipulative and egotistical Johhny and becomes ...
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Lara Flynn Boyle
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E. Max Frye
Samuel L. Jackson,
Bored with her marriage to burnt out poet turned corporate executive Thierry, Zandalee falls prey to an old friend of her husband, the manipulative and egotistical Johhny and becomes enmeshed in a sensual, passionate and destructive affair. But it isn't only the flames of their erotic affair that are fanned by the steamy heat of the deep New Orleans nights; hatred, desire and revenge stalk the lovers' with a relentless precision, and for Zandalee, the moment of truth arrives with a terrifying finality. Written by
According to the May 1991 Premiere Movie Magazine story on Zandalee. - Originally Cage's character was supposed to paint Zandalee with red paint, but after watching the love scene prior to this scene, it was decided that a more tender side of the relationship be shown, so he painted Zandalee using light blue and yellow. See more »
During the body painting scene you can see Zandalee's earrings even though in the love scene before her earrings are off. See more »
Nicholas Cage is mis-cast as an irrestistable sex-god/brooding artist who comes to stay with an old friend (Judge Reinhold) and proceeds to VERY unsubtley seduce his wife, Zandalee (Twin Peaks' Erika Anderson). Despite his lank, greasy (thinning) hair, scraggy goaty, boorish manner and an unfortunate fondness for spouting pretentious philosophy, rather than find him hilarious she is inexplicably drawn to him.
The only thing that keeps the interest from flagging throughout this film are the strong sex scenes and the gratuitous nudity involving the stunning Anderson, which begins, promisingly enough, before the opening credits have even finished and is sprinkled generously throughout the film. On the downside, you also have to see Judge Reinhold's butt - not such a pretty sight - but sometimes sacrifices have to be made.
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