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Directed by | |||
| Akira Kurosawa | |||
| Ishirô Honda | (segments "Tunnel, The" and "Mount Fuji in Red", prologue and epilogue of "Weeping Demon, The") (uncredited) | ||
Writing credits | ||
| Akira Kurosawa | (written by) | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Shôji Ueda | |||
Film Editing by | |||
| Tome Minami | |||
Production Design by | |||
| Yoshirô Muraki | |||
| Akira Sakuragi | |||
Art Direction by | |||
| Yoshirô Muraki | |||
| Akira Sakuragi | |||
Set Decoration by | |||
| Koichi Hamamura | |||
Costume Design by | |||
| Emi Wada | |||
Makeup Department | |||
| Tameyuki Aimi | .... | makeup artist | |
| Yumiko Fujii | .... | hair stylist | |
| Yamada Katsura | .... | hair stylist | |
| Yamada Katsura | .... | wigs | |
| Sakai Nakao | .... | hair stylist | |
| Norio Sano | .... | makeup artist | |
| Shoshichiro Ueda | .... | makeup artist | |
Production Management | |||
| Masahiko Kumada | .... | unit manager | |
| Kunio Niwa | .... | unit manager | |
| Teruyo Nogami | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vittorio Dalle Ore | .... | assistant director | |
| Kiyoharu Hayano | .... | assistant director | |
| Ishirô Honda | .... | assistant director | |
| Takashi Koizumi | .... | chief assistant director | |
| Naohito Sakai | .... | assistant director | |
| Tsuyoshi Sugino | .... | assistant director | |
| Toru Tanaka | .... | assistant director | |
| Okihiro Yoneda | .... | assistant director | |
Art Department | |||
| Kyôko Heya | .... | art assistant | |
| Nami Ishida | .... | props | |
| Yoshiaki Kawai | .... | props | |
| Noriyuki Kondo | .... | art assistant | |
| Satoshi Ota | .... | props | |
| Yasuyoshi Ototake | .... | art assistant | |
| Yuzuru Sakai | .... | props | |
| Kazuharu Tsuboi | .... | set constructor | |
| Ichiro Utsuki | .... | set constructor | |
Special Effects by | |||
| Mark Sullivan | .... | special effects supervisor | |
| Peter Takeuchi | .... | special effects producer | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | model supervisor | |
| Jon Alexander | .... | optical camera operator: ILM | |
| Jil-Sheree Bergin | .... | visual effects coordinator: ILM | |
| Barbara Brennan | .... | rotoscope artist: ILM | |
| Charlie Canfield | .... | matte camera operator: ILM | |
| Jo Carson | .... | matte camera operator: ILM | |
| Wade Childress | .... | matte camera operator: ILM | |
| Terry Chostner | .... | visual effects camera operator | |
| Susan Adele Colletta | .... | post-production coordinator: ILM | |
| Michael Cooper | .... | optical line-up | |
| Jonathan Crowe | .... | matte assistant: ILM | |
| Jeff Doran | .... | optical camera operator: ILM | |
| Selwyn Eddy | .... | visual effects camera operator (as Selwyn Eddy III) | |
| John Gazdik | .... | visual effects camera operator: ILM | |
| Brian Gernand | .... | model maker: ILM | |
| Michael Gleason | .... | visual effects editor: ILM | |
| Reuben Goldberg | .... | pyro technician: ILM | |
| Caroleen Green | .... | matte painter: ILM | |
| Mutsuhiro Harada | .... | photo composite processing | |
| Robert Hill | .... | visual effects camera operator: ILM | |
| Takabuni Hirata | .... | optical camera operator: Den Film Special Effects Unit | |
| Peg Hunter | .... | visual effects optical lineup: ILM | |
| Paul Huston | .... | matte camera operator: ILM | |
| Mikio Inoue | .... | photo composite processing | |
| Brad Jerrell | .... | head electrician: ILM | |
| Randy Jonsson | .... | visual effects camera operator: ILM (as Randy Johnson) | |
| David Karpman | .... | visual effects optical lineup: ILM | |
| Takashi Kawabata | .... | optical photographer: Den-Film Special Effects Unit | |
| Takashi Kobayashi | .... | optical photographer: Den-Film Special Effects Unit | |
| Marghi McMahon | .... | model maker: ILM | |
| Taksuhiro Miyaguchi | .... | matte painter: Den Film Special Effects Unit | |
| Michihisa Miyashige | .... | visual effects: Den Film Special Effects Unit | |
| Craig Mohagen | .... | cloud tank: ILM | |
| Tim Morgan | .... | electrician: ILM | |
| Nancy Morita | .... | assistant matte camera operator: ILM | |
| Claudia Mullaly | .... | visual effects art director: ILM | |
| Dave Murphy | .... | electrician: ILM | |
| Minoru Nakano | .... | visual effects: Den-Film Special Effects Unit | |
| Makato Negishi | .... | optical camera operator: Den-Film Special Effects Unit | |
| Lori J. Nelson | .... | visual effects optical lineup: ILM | |
| Randy Ottenberg | .... | model maker: ILM | |
| Ken Ralston | .... | visual effects supervisor | |
| Chuck Ray | .... | chief pyro technician: ILM (as Charles Ray) | |
| Thomas Rosseter | .... | visual effects optical lineup: ILM | |
| Wesley Seeds | .... | model maker: ILM | |
| Eben Stromquist | .... | model maker: ILM | |
| Mark Sullivan | .... | visual effects supervisor | |
| Akio Suzuki | .... | photo composite processing | |
| Yoshiya Takahashi | .... | photo composite processing | |
| Peter Takeuchi | .... | visual effects producer | |
| Yusef Useugi | .... | matte painter: ILM | |
| Bruce Vecchitto | .... | optical supervisor | |
| Jeffrey Bassetti | .... | vfx intern (uncredited) | |
| Joanne Bloomfield | .... | model builder (uncredited) | |
| Richard Brooks Burton | .... | high speed camera technician (uncredited) | |
Camera and Electrical Department | |||
| Yukio Choya | .... | lighting technician | |
| Hisanori Furukawa | .... | lighting technician | |
| Daizaburo Harada | .... | still photographer | |
| Hiroshi Hattori | .... | assistant camera | |
| Yuichi Horita | .... | grip | |
| Hidehiro Igarashi | .... | assistant camera | |
| Miyanobu Inori | .... | lighting technician | |
| Hideko Ioka | .... | lighting technician | |
| Hiroshi Ishida | .... | assistant camera | |
| Tadatoshi Kitagawa | .... | lighting technician | |
| Hiroyuki Kitazawa | .... | assistant camera | |
| Mitsu Kondo | .... | assistant camera | |
| Kenzo Masuda | .... | lighting rigger | |
| Kosuke Matsushima | .... | assistant camera | |
| Isanu Miwano | .... | grip | |
| Makoto Sano | .... | lighting technician | |
| Tetsuo Sawada | .... | lighting technician | |
| Yoshinori Sekiguchi | .... | assistant camera | |
| Sadanu Takahara | .... | grip | |
| Yukio Tanaka | .... | lighting rigger | |
| Satoshi Tsuyuki | .... | grip | |
| Kazushi Watanabe | .... | assistant camera | |
| Toshio Watanabe | .... | assistant camera | |
| Isao Yasui | .... | lighting technician | |
| Hiromasa Yonahara | .... | lighting technician | |
| Takeji Sano | .... | gaffer (uncredited) | |
Casting Department | |||
| Yusunori Suzuki | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Akira Fukuda | .... | wardrobe | |
| Kazuko Kurosawa | .... | wardrobe | |
| Yoko Nagano | .... | wardrobe | |
| Mitsuru Otsuka | .... | wardrobe | |
Editorial Department | |||
| Hideto Aga | .... | assistant editor | |
| Noriko Meharu | .... | negative cutter | |
| Tome Minami | .... | negative cutter | |
| Ryusuke Otsubo | .... | assistant editor | |
| Yôsuke Yafune | .... | assistant editor | |
Music Department | |||
| Ikudo Endo | .... | musician: piano | |
Transportation Department | |||
| Toru Ikegaki | .... | transportation | |
| Masahara Komatsuki | .... | transportation | |
| Yasuhisa Serizawa | .... | transportation | |
| Takashi Takei | .... | transportation | |
| Kimihiko Tsurugaya | .... | transportation | |
| Keisuke Utsumi | .... | transportation | |
Other crew | |||
| Kazutami Hara | .... | photography collaborator | |
| Michiyo Hata | .... | choreographer | |
| Yasuhiko Higashi | .... | production publicity | |
| Ishirô Honda | .... | creative consultant | |
| Shushin Hosoya | .... | production assistant | |
| Hiroko Idetsu | .... | production accountant | |
| Tadao Kanzeki | .... | mountain climbing advisor | |
| Tetsuji Maezawa | .... | coordinator: HDTV | |
| Shuji Matsumoto | .... | production accountant | |
| Tokiko Mochizuki | .... | dance instructor | |
| Tonio Onata | .... | ebr processing | |
| Magosaka Osada | .... | location supervisor | |
| Shizuo Osada | .... | location supervisor | |
| Donald Richie | .... | subtitler | |
| Satoshi Shimozawa | .... | production assistant | |
| Tadashi Shishido | .... | subtitler | |
| Izuhiko Suehiro | .... | production coordinator | |
| Takaya Takizawa | .... | ebr processing | |
| Kazutoshi Wadakura | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Going back to what made Akira Kurosawa a star, Dreams is a film driven by a completely original concept. Like Rashomon, this is something that had never been done before. To my knowledge, nobody since has had the skill or guts to make a movie that accurately captures the spirit of........ bizarre Dreams. These stories are filmed and written just like real dreams. They're full of strange events that most of the time make no sense, yet everyone in the story totally believes it to be normal.
My favourite segments are "The Tunnel", as story where a former military commander encounters the ghosts of all the soldiers who died under his command. The Commander explaining why his soldiers died is hands down the best acting in the movie. My second favourite wold be "The Peach Orchard". This is about a young boy that finds a group of living dolls in the fields. The dolls are furious that the boy's family have destroyed all the peach tress in the Orchard. This segment was the most dreamlike. My third favourite would be "Mount Fuji In Red". In that there is a nuclear meltdown. Panic spreads and a few survivors contemplate whether or not to end their lives.
In traditional Kurosawa fashion, this movie is visually breathtaking. Kurosawa films don't just look great, they look unique and interesting. The visuals in Dreams helps create the hypnotic dream-like state. In the "Crows" story, a man enters the world of a Van Gogh painting. Parts of the scenery here are natural landscapes, and parts are made to look like a painting. In "Blizzard" mountain climbers are on the verge of death. They're rescued by a snow spirit. The blinding snow and the sort of slow motion effect when you see the Snow Fairy makes this segment perhaps the most hypnotic images Kurosawa has ever produced.
I wouldn't want anyone to get the idea that this is just a bunch of unconnected segments. Several characters appear in various segments, and some are meant to play back to back. I have to say that Dreams may not be for everyone. I'd recommend everyone alive check it out, though. Some may love it, some may not understand it. I'm on the side of this being one of the last brilliant works of the World's greatest Director.