| Murray Langston | ... | Michael | |
| Michelle Johnson | ... | Diane | |
| Ruth Buzzi | ... | Jody | |
| Billy Barty | ... | Gypsy | |
| Johnny Dark | ... | Brian | |
| Ray 'Boom Boom' Mancini | ... | Jake (as Ray Mancini) | |
| Melissa Shear | ... | Molly | |
| Vic Dunlop | ... | Luke | |
| Starr Danias | ... | Susan | |
| Kip Addota | ... | Boone | |
| Sydney Lassick | ... | Dr. Harding | |
| Charlie Brill | ... | Marty Anderson | |
| Tracy Shakespeare | ... | Bobbie | |
| Kent Perkins | ... | Robber | |
| Sam Perryman | ... | Roy | |
| Ronny Kinny | ... | Cop | |
| Alexandra Kent | ... | News Anchor | |
| Samuel Kuglen | ... | Dr. Phelps | |
| Rachel Wilkinson | ... | Dr. Vermin | |
| Glen Vincent | ... | Bus Driver | |
| Michael Cole | ... | Biker | |
| Christian Brando | ... | Second Biker / Loving Couple Guy (as Chris Brando) | |
| Amy Shavick | ... | Paper Girl | |
| Carolyn Crowe | ... | Loving Couple Girl | |
| Jim DiLisi | ... | Guard | |
| Steven A. Finly | ... | Truck Driver (as Steve Finly) | |
| Kermit Samples | ... | Truck Worker | |
| Gary Mule Deer | ... | Mechanic | |
| Dominic Koletes | ... | Boy on Bus (as Nicky Koletes) | |
| Melissa Koletes | ... | Girl on Bus | |
| Lily Shavick | ... | Girl on Bus | |
| Michael Borkin | ... | Masseur | |
| Eugene Greytak | ... | Pope (as Gene Greytak) | |
| Ana-Leigh London | ... | Girl in Bank |
Directed by | |||
| Murray Langston | |||
Writing credits(in alphabetical order) | ||
| Steven A. Finly | (as Steve Finly) | |
| Murray Langston | ||
Produced by | |||
| Donna Agata | .... | co-executive producer | |
| Steve Agata | .... | co-executive producer | |
| Michael Borkin | .... | associate producer | |
| Tom Broadbridge | .... | executive producer | |
| Steven A. Finly | .... | associate producer (as Steve Finly) | |
| Dan Sarnoff | .... | associate producer | |
| James Shavick | .... | producer | |
| Rachel Shavick | .... | associate producer | |
Original Music by | |||
| Paul Ventimiglia | |||
Cinematography by | |||
| Roger Olkowski | |||
Film Editing by | |||
| Todd Felker | |||
Makeup Department | |||
| Terri Apanasewicz | .... | hair stylist | |
| Terri Apanasewicz | .... | makeup artist | |
| Traci Goldman | .... | hair stylist | |
| Traci Goldman | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Lisa Campbell | .... | first assistant director | |
| Stuart Lessner | .... | second assistant director | |
Art Department | |||
| James Foley | .... | props | |
| Antonio Martínez | .... | art assistant | |
| C. Roy Nigra | .... | swing gang | |
Sound Department | |||
| Dwayne S. Henkel | .... | boom operator | |
| Peter Jermyn | .... | sound | |
| Kermit Samples | .... | additional boom operator | |
| Ken Segal | .... | sound | |
| Patrick Spence-Thomas | .... | sound mixer | |
| Richard Spence-Thomas | .... | sound mixer | |
Special Effects by | |||
| John Eggett | .... | special effects | |
Stunts | |||
| Sam Perryman | .... | stunts | |
Camera and Electrical Department | |||
| Dan Carrick | .... | grip trainee | |
| John Ditomaso | .... | key grip (as John DiTomaso) | |
| Richard Hench | .... | grip | |
| David Lena | .... | first assistant camera | |
| Chris Mole | .... | third assistant camera | |
| David Parks | .... | still photographer | |
| Alan Parr | .... | grip | |
| Kermit Samples | .... | best boy | |
| Alec Schechter | .... | grip trainee | |
| Christa Wallace | .... | second assistant camera | |
| Roderick Young | .... | gaffer | |
Costume and Wardrobe Department | |||
| Carolyn Crowe | .... | wardrobe | |
Editorial Department | |||
| Susan Joy Beallor | .... | third assistant editor (as Susan Beallor) | |
| James Bond | .... | negative cutter | |
| Dan Carrick | .... | second assistant editor | |
| R.W. Shavick | .... | assistant editor | |
Transportation Department | |||
| Michael Marr | .... | driver: honeywagon | |
| David Schwert | .... | driver: camera car | |
Other crew | |||
| Mike Addis | .... | production assistant | |
| Jeff Cameron | .... | security officer | |
| Christopher Durmick | .... | production assistant (as Chris Durmick) | |
| Andrea Fischer | .... | production assistant | |
| Elana Golden | .... | production assistant | |
| Bob Howe | .... | security officer | |
| Vicki Howe | .... | script supervisor | |
| Carole Joyce | .... | assistant to producer | |
| Frank Malon | .... | security officer | |
| Bill Parker | .... | fire safety officer | |
| Erick H. Schultz | .... | craft service | |
| R.W. Shavick | .... | accountant | |
| Larry Strich | .... | legal services | |
| Larry Taylor | .... | security officer | |
| James R. Powell | .... | production coordinator (uncredited) | |
| Full cast and crew | Company credits | IMDb USA section |
*** This review may contain spoilers ***
This review contains some major plot SPOILERS, so don't read the second paragraph if you don't want parts of the movie given away before you see it.
I wish Murray Langston had a better physical appearance to have succeeded in our wrongfully demanding Hollywood, because I think he is a pretty funny guy, between this and `Night Patrol' (which I liked). In this movie, Langston wears a whole bunch of hats: he's the star, the writer, and the director. Alas it is in this last category that he fails. If someone else had been given the director's chair, I think this could have been great.
Langston plays a secluded writer working on a screenplay that he hopes to finish and give to his publisher. He's afraid to leave his little house, and some strange things that keep happening to him are making him question his sanity. These strange things are actually tricks played on him by his publisher and his sister (Ruth Buzzi), who want Langston to be declared insane so that they could get control of the estate Langston inherited from he and his sister's parents. He decides one day to venture outside, and a couple of mishaps happen, resulting in him helping out a midget (Billy Barty). The midget claims he is a gypsy, and gives Langston a notepad which he says will grant whatever wish that is written on it. Langston doesn't take him seriously, until things he writes actually do start to come true. This gives Langston the idea to use the notepad to land a date with a pretty bank teller, played by Michelle Johnson, but in the process of trying, the bank is held up. Langston and Johnson are taken hostage and inadvertently foil the robbery. As the days pass by, Langston tries to woo Johnson while the bank robbers (one of whom is played by boxer Ray `Boom Boom' Mancini) plan revenge and his sister and publisher use his magic notepad claims to declare him insane.
As I said, the direction is what ruins the film. Too often scenes are awkward or lacking something, perhaps because the director was in front of the camera instead of behind it. On the other hand, the cast is great, the side characters (like Langston's best friend and the publisher's secretary) are a riot, and the writing is often hilarious. This is also one of the few comedies (along with `Deuce Bigelow: Male Gigolo') that is not totally destroyed by a courtroom scene. Comedies that end in courtrooms almost always end in disaster, like `Dear God,' `Big Daddy,' and the over-hyped `Serial Mom,' but it works here, still able to generate laughs while being relevant to the story. Listen closely to the background voices in during the courtroom confusion and you'll hear a hilarious reference to Ray `Boom Boom' Mancini. Anyhow, if you are in the mood for a few belly laughs and don't mind the low budget, you might want to find `Wishful Thinking' and give it a chance. You, too, may find yourself wishing Murray Langston had made more films. Zantara's score: 5 out of 10. I so wish I could rate it higher.