The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Lula's psychopathic mother goes crazy at the thought of Lula being with Sailor, who just got free from jail. Ignoring Sailor's probation, they set out for California. However their mother hires a killer to hunt down Sailor. Unaware of this, the two enjoy their journey and themselves being together... until they witness a young woman dying after a car accident - a bad omen. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Two distinct references to American thrash metal are made in the film: first, the band that plays in the club where Sailor and Lula go dancing is Powermad, who were from Minneapolis. The 2nd occurs very late in the film when a gang member wears a Metallica shirt. See more »
(at around 10 mins) Lula talks about her Uncle Pooch dying in a car accident while vacationing in Myrtle Beach. As she speaks,a car is shown crashing down a mountainous ravine and bursting into flames. The goof: Myrtle Beach is a flat seaside town and there are no mountains or ravines like those shown for hundreds of miles around. See more »
[stumbling into men's room with a martini]
Yoo-hoo! Sailor boy! How would you like to fuck Lula's momma?
Uh, no ma'am, I sure don't...
Lula's momma would like to fuck you. Come on.
Ms. Fortune, I really think you need a cup of coffee. I really do.
See more »
The ending credits play over footage of Sailor singing "Love Me Tender" to Lula, rather than a black screen. See more »
Baby Please Don't Go
Written by Big Joe Williams (as Joe Williams)
Performed by Them
Published by MCA Music Publishing, a Division of MCA Inc. (ASCAP)
Courtesy of PolyGram Special Products
a Division of PolyGram, Inc.
Capitol Recordings See more »
Outrageous! This is another sick-but-fascinating David Lynch film, maybe his sickest, although I've never seen Eraserhead.
The most interesting feature of this strange movie, I think, was the weird characters, one after the other. Make that ultra-weird.....and the strangest of them all is "Bobby Peru," played by Willem Dafoe. In all my years of movie watching, I think "Bobby Peru" still has to rank in the top five of the creepiest characters. He is so outrageously disgusting and perverted you just have to laugh out loud at him.
In fact, "outrageous" might be the best word to describe this film, characters and all.
This wild and entertaining film sometimes makes me shake my head in disgust that I own it, and at other times makes me just laugh out loud at the absurdity of it. You really have to have a dark sense of humor to appreciate much of it. I do, to some degree....enough to keep viewing this.
Nicholas Cage is particularly fun to watch and provides most of the laughs. Laura Dern is also convincing as a trailer-trash-type. If you want a clue on why Dern would play such a sleazy role, check out her real-life mom in this film, Diane Ladd, who plays her mother in the movie. It looks like Mom passed on her wholesome values.
As with some other Lynch films, the music is outstanding: just a great soundtrack. I bought the CD to this a year after first seeing the movie, and I've always enjoyed it. And, another Lynch trait that certainly is here is the excellent visual style, which is enhanced by the widescreen DVD.
So, if you are looking for an outrageous two hours and you aren't easily shocked or offended, this would be a film to consider.
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