The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Lula's psychopathic mother goes crazy at the thought of Lula being with Sailor, who just got free from jail. Ignoring Sailor's probation, they set out for California. However their mother hires a killer to hunt down Sailor. Unaware of this, the two enjoy their journey and themselves being together... until they witness a young woman dying after a car accident - a bad omen. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
(at around 10 mins) Lula talks about her Uncle Pooch dying in a car accident while vacationing in Myrtle Beach. As she speaks,a car is shown crashing down a mountainous ravine and bursting into flames. The goof: Myrtle Beach is a flat seaside town and there are no mountains or ravines like those shown for hundreds of miles around. See more »
That ain't never will happen, baby. Least not in our lifetime.
See more »
The ending credits play over footage of Sailor singing "Love Me Tender" to Lula, rather than a black screen. See more »
Baby Please Don't Go
Written by Big Joe Williams (as Joe Williams)
Performed by Them
Published by MCA Music Publishing, a Division of MCA Inc. (ASCAP)
Courtesy of PolyGram Special Products
a Division of PolyGram, Inc.
Capitol Recordings See more »
The most creative and controversial director in cinema is back with a road-movie! Wild at Heart is one rough roller coaster ride and a typical Lynch-cocktail of violence, sex and of course bizarre characters. I challenge you to find one personality in this film that could be referred to as a normal human being'. As usually, Lynch introduces a bunch of wicked individuals in his film who're all messed up in the head pretty bad. Yet, I feel like Wild at Heart might be Lynch's most accessible film (outside The Elephant Man and The Straight Story). The structure remains chronological and quite easy to follow. Unlike the previous Blue Velvet, I feel like the plot and development of Wild at Heart is a bit inferior to the wonderful photography. The greatest aspects in the screenplay are in fact the delicious side-chapters that are told without absolute necessity. Like the story about Lula's cousin Dell (Crispin Glover), the torture of Harry Dean Stanton's character and the nasty and disturbing images of a car accident the protagonists come across. These are the little sequences that truly prove Lynch's talent as a storyteller. Overall and simply put: this movie is COOL! It's a joy to watch and you really hate to love some of the offensive characters. Willem Dafoe takes the cake as Bobby Peru. His portrayal is a neat follow-up to Blue Velvet's Frank Booth. Peru is a filthy and despicable pervert with itchy-trigger-fingers! It's a damn shame he hasn't got any more screen time. Wild at Heart surely isn't the greatest masterpiece out there, but you should love it for what it is: an absurd and entertaining adventure with a couple of thought-provoking values and an extraordinary love-lesson.
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