A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
The world famous movie director John Wilson has gone to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than takes care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else. Written by
When John Wilson is talking to Pete Verrill over breakfast he refers to him as 'Jeff', Jeff Fahey being the real name of the actor. See more »
[looking at elephants through binoculars]
Oh. I've never seen one before, outside the circus or the zoo. They're so majestic. So indestructible. They're part of the earth. They make us feel like perverse little creatures from another planet. Without any dignity. Makes one believe in God.
In the miracle of creation. Fantastic. They're part of a world that no longer exists, Hod. Feeling of unconquerable time.
You certainly have a way with words, Pete. No wonder you're a writer.
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On one level, this film is a failure: It's a fictionalized knock-off of the behind-the-scenes machinations of the making of "The African Queen" with Bogart & Hepburn directed by John Huston. This surface level is not so enthralling. On a second level, the level I believe the artists really wanted to put across, it isn't so enthralling either. Nevertheless, they are to be commended for attempting something unusual: An effort to show the creative process -- and the fears lurking within barring the fruition of art, often at great costs to health and personal relationships. In ranking Eastwood's films, this film falls below "Unforgiven", "Million Dollar Baby", "Bird" or "The Bridges of Madison County", but the subtext here raises its status. A must-see for the serious artist or wannabe.
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