Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
The world famous movie director John Wilson has gone to Africa to make his next movie. He is an obstinate, contrary director who'd rather hunt elephants than takes care of his crew or movie. He has become obsessed with one particular elephant and cares for nothing else. Written by
In the later Clint Eastwood movie Blood Work (2002), portraying the doctor of Terry McCaleb (Clint Eastwood) was Anjelica Huston. Anjelica's father was director John Huston whom Eastwood made this film about, which is about the making of the movie The African Queen (1951). Eastwood actually plays John Wilson, a thinly disguised characterization of John Huston. On the documentary Making 'Blood Work' (2002), Anjelica talks of how she beared witness to her father's aneurism operation. She said that the fact that she plays Eastwood's cardiologist in that film, and that Eastwood had played her father in this film, she said, was "strangely convergent". See more »
When John Wilson is talking to Pete Verrill over breakfast he refers to him as 'Jeff', Jeff Fahey being the real name of the actor. See more »
How 'bout that. I feel pretty good, really. It's like I always tell ya kid, you gotta fight when you think it's the right thing to do. Otherwise, you feel like your gut's full of puss. Even if you get the hell beat outta ya, if ya fight, ya feel ok about it.
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On one level, this film is a failure: It's a fictionalized knock-off of the behind-the-scenes machinations of the making of "The African Queen" with Bogart & Hepburn directed by John Huston. This surface level is not so enthralling. On a second level, the level I believe the artists really wanted to put across, it isn't so enthralling either. Nevertheless, they are to be commended for attempting something unusual: An effort to show the creative process -- and the fears lurking within barring the fruition of art, often at great costs to health and personal relationships. In ranking Eastwood's films, this film falls below "Unforgiven", "Million Dollar Baby", "Bird" or "The Bridges of Madison County", but the subtext here raises its status. A must-see for the serious artist or wannabe.
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