A voyage into the museum's reserves, and part of the extra work involved to mount the expositions after the renovation of the Louvre in the 1980s, when the glass pyramid was added to the ...
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With unerring curiousity and sensitivity, director Philbert portrays the difficulties and joys of being deaf, offering vivid portraits of people of all ages coping with and surmounting their challenges.
Documentary. The tranquil woods of the Loire Valley embrace the La Borde psychiatric clinic, an asylum in the truest sense of the word, where patients find sanctuary and repose. Patients ... See full summary »
Twenty-four hours in the life of Radio France, from one dawn to another. Along its corridors, inside its recording studios, with its producers, presenters, journalists and various guests. ... See full summary »
In Israel there is neither civil marriage nor civil divorce. Only rabbis can legitimize a marriage or its dissolution. But this dissolution is only possible with full consent from the ... See full summary »
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over ... See full summary »
An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
Domingos is a member of an African liberation movement, arrested by the Portuguese secret police, after bloody events in Angola. He does not betray his companions, but is beaten to death in... See full summary »
Domingos de Oliveira,
A voyage into the museum's reserves, and part of the extra work involved to mount the expositions after the renovation of the Louvre in the 1980s, when the glass pyramid was added to the classic buildings. From the preservation rooms through the frame and painting retouches by experts, to the personnel instruction on how to be efficient in protecting the collections, and look nice to the visitors. Written by