| Adrienne Shelly | ... | Audry | |
| Robert John Burke | ... | Josh (as Robert Burke) | |
| Chris Cooke | ... | Vic Hugo (as Christopher Cooke) | |
| Julia McNeal | ... | Pearl | |
| Katherine Mayfield | ... | Liz Hugo | |
| Gary Sauer | ... | Emmet | |
| Mark Chandler Bailey | ... | Mike (as Mark Bailey) | |
| David Healy | ... | Todd Whitbread | |
| Matt Malloy | ... | Otis: Driver - Bum | |
| Edie Falco | ... | Jane - The Waitress | |
| Jeff Howard | ... | Irate Driver | |
| Kelly Reichardt | ... | His Wife | |
| Ross Turner | ... | Their Son | |
| Paul Schulze | ... | Bill (as Paul Schultze) | |
| Mike Brady | ... | Bob | |
| Bill Sage | ... | Gus | |
| Tom Thon | ... | News Vendor | |
| Mary Sue Flynn | ... | Girl at Counter |
Directed by | |||
| Hal Hartley | |||
Writing credits(in alphabetical order) | ||
| Hal Hartley | written by (uncredited) | |
Produced by | |||
| Jerome Brownstein | .... | executive producer | |
| Hal Hartley | .... | co-producer | |
| Bruce Weiss | .... | co-producer | |
Original Music by | |||
| Jim Coleman | |||
Cinematography by | |||
| Michael Spiller | (director of photography) | ||
Film Editing by | |||
| Hal Hartley | |||
Production Design by | |||
| Carla Gerona | |||
Set Decoration by | |||
| Sarah Stollman | |||
Makeup Department | |||
| Judy Chin | .... | hair stylist | |
| Judy Chin | .... | makeup artist | |
Production Management | |||
| Bob Gosse | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ted Hope | .... | first assistant director | |
Art Department | |||
| Daniel Ouellette | .... | property master | |
| Steve Rosenzweig | .... | graphic artist | |
Sound Department | |||
| Nick Gomez | .... | sound recordist | |
| Jeff Kushner | .... | boom operator | |
| Reilly Steele | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Richard Breen | .... | additional grip | |
| Sarah Cawley | .... | first assistant camera | |
| Joe Cochran | .... | best boy | |
| Tory Estern | .... | additional gaffer | |
| Anne Gwynn | .... | additional second assistant camera | |
| Richard Ludwig | .... | still photographer | |
| Tami Reiker | .... | second assistant camera | |
| Chris Rogers | .... | key grip | |
| Neil Shapiro | .... | additional second assistant camera | |
| Frank Stubblefield | .... | gaffer | |
| Heather White | .... | additional second assistant camera | |
Costume and Wardrobe Department | |||
| Kelly Reichardt | .... | wardrobe supervisor | |
Editorial Department | |||
| Nick Gomez | .... | assistant editor | |
Music Department | |||
| The Brothers Kendall | .... | performer: additional songs | |
| Jim Coleman | .... | musician: keyboard sampling | |
| Wild Blue Yonder | .... | performer: additional songs | |
Other crew | |||
| Kaethe Fine | .... | office coordinator | |
| Paul Giorgi | .... | production assistant | |
| Peter Grand | .... | continuity advisor | |
| Dan Leiner | .... | production assistant | |
| Mary McGloughlin | .... | production assistant | |
| Megan O'Niel | .... | production assistant | |
| Chris Parlow | .... | production assistant | |
| Harriet Phillimore | .... | production assistant | |
| Ilene Podgur | .... | production assistant | |
| Ann Ruark | .... | script supervisor | |
| Andy Sands | .... | production assistant | |
| Greg Skorka | .... | production assistant | |
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| All Good Things | Persepolis | Giant | Mr. & Mrs. Smith | Simple Men |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Audry (Adrienne Shelly) is a brainy and beautiful girl living in Long Island. She has just been accepted to Harvard, no less, but has to bargain with her father about attending the famous school. She is just turning 18 and wants to major in literature. Father insists on her getting a part time job and choosing to study communications. At this moment on LI, also, a convicted man has just returned to his home turf. His name is Josh and no one is sure what he did, but it seems that he killed two or more people. Audry has a chance meeting with him and is smitten. She even gets him a job at her father's automobile shop. How in the world is this a match made in heaven? No description is really adequate to relate the events in this film. Rather than plot driven, it is a quirky, intelligent film where conversation and the unexpected reign mightily. The script is just stunning. Where else, I might suggest, can you view a film that offers explanations on the merits of Moliere's Misanthrope and the workings of a car's transmission apparatus? All of the actors, the costumes, the look, and the direction of the film are very, very worthy, too. (Sadly, Ms. Shelly was murdered in 2006 in NYC). There is a smattering of bad language and the subject matter is adult, so the movie is not suitable for an underage audience. Nevertheless, if you definitely want to take a walk down the aisle of vintage, independent films, pick this one up without delay. It is a gem, even years after its creation.