After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's ... See full summary »
Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talentless novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the ... See full summary »
Thomas Jay Ryan,
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so ... See full summary »
Daniel is in danger of losing his inn after another more modern establishment opens next door and steals his guests. He goes to the bank for a loan, but they tell him to hope for a miracle.... See full summary »
William T. Bolson
Henry and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.
Bitter about being double-crossed by the women he loved, (and with the police after him to boot), Bill vows to seduce the next woman he sees, then throw her away. His brother Dennis, ... See full summary »
Robert John Burke,
This short film was packaged on video with Hartley's featurette "Surviving Desire." It affectionately examines the lives of a group of "young, middle-class, white, college-educated, ... See full summary »
A series that is comprised of twenty-one monologues written by American playwrights which form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the ... See full summary »
After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's father. Written by
Tom Unger <firstname.lastname@example.org>
Provided the Unbelievable Truth with a name for their band. See more »
When Audry and Emmet are walking in the street rite after Audry tells Emmet she does not want to go out with him anymore if you look behind Audry you can see a car approach the corner and a crew member directing the car to turn left so it does not interfere with the shot, the crew member even walks up to the car. See more »
First feature by eccentric writer/director Hal Hartley turns out to be one of his most accessible films. Unfortunately, it's also a little boring. The problem here is the same as that of Peter Greenaway's `The Pillow Book,' or any film that departs from its auteur's trademark style; that is, it isn't weird enough for the director's devotees, but it's too weird for anybody else. Of course, as a first film, `The Unbelievable Truth' isn't a departure, it's an experiment, and so fans of Hartley's later work aren't likely to feel as alienated as they would if he had made it after establishing himself with absurdist little indie comedies like `Trust,' `Surviving Desire,' and `Simple Men.' Hartley's signature quirks--non-sequiter-laden dialogue, slapstick, existentialist rhetoric, and deliberately flat performances--are all there, but in muted, almost embryonic form. This was the only Hartley feature I hadn't seen, and it's hard to imagine what it would have been like to see it without knowing his other films--from the other comments posted here, it appears impressions vary. Myself, I found it a bit slow, and I kept wishing he would crank the artifice up to the level of his later films, or at least his later early films. Still, while I don't feel it's his strongest work, it's always interesting, and the performances by Hartley icons Adrienne Shelley and Robert John Burke (how young he looks!) give the film an emotional honesty that more than pays off. 7 out of 10.
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