After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's ... See full summary »
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New... See full summary »
Bitter about being double-crossed by the women he loved, (and with the police after him to boot), Bill vows to seduce the next woman he sees, then throw her away. His brother Dennis, ... See full summary »
Robert John Burke,
When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so ... See full summary »
Daniel is in danger of losing his inn after another more modern establishment opens next door and steals his guests. He goes to the bank for a loan, but they tell him to hope for a miracle.... See full summary »
William T. Bolson
A series that is comprised of twenty-one monologues written by American playwrights which form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the ... See full summary »
John Ellison Conlee,
The dreams and aspirations about America and life of Arun, a young Indian in his 20s, change as he struggles to fit into a new and alien culture. His strained relationship with his rigidly ... See full summary »
Barry Alexander Brown
This short film was packaged on video with Hartley's featurette "Surviving Desire." It affectionately examines the lives of a group of "young, middle-class, white, college-educated, ... See full summary »
After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's father. Written by
Tom Unger <firstname.lastname@example.org>
Provided the Unbelievable Truth with a name for their band. See more »
When Audry and Emmet are walking in the street rite after Audry tells Emmet she does not want to go out with him anymore if you look behind Audry you can see a car approach the corner and a crew member directing the car to turn left so it does not interfere with the shot, the crew member even walks up to the car. See more »
What we have here is an indie romantic comedy, adorably done. Adrienne Shelly, who is petite and cute and pale as winter snow, stars as Audrey Hugo, a mechanic's daughter who has been accepted at Harvard (or so she says) but has no intention of going. She is obsessed with what she sees as the inevitability of nuclear war and attendant horrors, which she reads about aloud to herself and anyone who will listen.
It is 1988 and this is Long Island, New York, although it looks a lot like Jersey to me. Certainly this is not the high rent district of Long Island. Her boyfriend is shallow and doesn't listen to her. Her father thinks she ought to go to the local community college which he notes is a whole lot cheaper than Harvard. She is bored with her senior year at high school and usually cuts.
Enter tall, handsome, dressed all in black Robert Burke as Josh Hutton just released from prison. People who meet him ask, "Are you a priest?" He answers, "I'm a mechanic." And indeed he is an especially wondrous one who, of course, goes to work for Audrey's father, Vic Hugo (Chris Cooke) and becomes invaluable. Although it seems that Josh killed a girl and then the girl's father some years ago, we of course know from the title and from Josh's obviously sterling character that the "unbelievable truth" must be otherwise. And of course so does Audrey who is immediately smitten with him. But Josh is apparently practicing something like celibacy ("Are you a priest?") and rebuffs Audrey's advances, thereby initiating a whole slew of romantic misunderstandings wittily tossed about by director Hal Hartley along with some spiffy Mamet-like dialogue.
Now enter a photographer who makes Audrey into a fashion model, first her feet, but eventually the entire petite torso. Physically she moves to New York City, but her heart is still with Josh at her dad's auto repair shop. She even carries Josh's wrench in her handbag, with which she threatens the photo guy when he tries to get too close.
What makes this film a delight in spite of all the obvious elements and the predictable complications is the original, independent and sparkling character of Audrey, the true blue integrity of Josh, some clever and funny dialogue, and a kind of warm puppy feel usually the signature property of a Nora Ephron film starring Meg Ryan.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
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