An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Irwin "Fletch" Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it... See full summary »
Joe Don Baker,
After the war, L.A. private eye Jake Gittes is hired by realtor Jake Berman. He proves the infidelity of Berman's wife Kitty and sets up a way for her to be caught in the act. At the rendezvous, Berman shoots the co-respondent who turns out to be his business partner. Gittes finds himself in the middle of a complicated web, under pressure from all sides for a wire recording of the fatal encounter. He then realises that the land the partners were developing was once an orange grove connected with a case he has never quite got over. Written by
Jeremy Perkins <firstname.lastname@example.org>
Nicholson and writer Robert Towne revisit old haunts...
Long-delayed follow-up of sorts to 1974's "Chinatown", which was directed by Roman Polanski and featured Jack Nicholson as 1930s private detective J.J. Gittes, was written by returning screenwriter Robert Towne and directed by Nicholson himself, who also stars. Despite a certain patchy swagger and style, it will certainly be a let-down to anyone who fondly recalls the previous film, and a yawner to latter-day Nicholson fans who might be expecting some combative, belligerent fireworks. Jack's gumshoe delves into an infidelity scandal which quickly leads to dirty doings in the oil business (it was water the first time). Confusing and deadly slow, with the irritating, gravel-voiced narration by Nicholson failing to supply the proper mood. There are a few arty camera set-ups and good players in the cast (including Meg Tilly, Harvey Keitel, Eli Wallach, and a nice 'bit' by Faye Dunaway), but it fails to intrigue on even a sentimental level. * from ****
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