Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single ... See full summary »
Hector is a star basketball player for the College basketball team he plays for, the Leopards. His girlfriend, Olive, doesn't know whether to stay with him or leave him. And his friend, ... See full summary »
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
After the war, L.A. private eye Jake Gittes is hired by realtor Jake Berman. He proves the infidelity of Berman's wife Kitty and sets up a way for her to be caught in the act. At the rendezvous, Berman shoots the co-respondent who turns out to be his business partner. Gittes finds himself in the middle of a complicated web, under pressure from all sides for a wire recording of the fatal encounter. He then realises that the land the partners were developing was once an orange grove connected with a case he has never quite got over. Written by
Jeremy Perkins <firstname.lastname@example.org>
"The Two Jakes" is the sequel to "Chinatown", a film that really did not need another chapter. However, with that said this is an above average film that works most of the time. Jack Nicholson returns and is sucked into another web of deception and corruption. He is hired by Harvey Keitel to follow his two-timing wife (a very sexy Madeleine Stowe). Just like before, the more Nicholson learns about his case, the stranger and more complicated it becomes. Everything will lead to fireworks which involves a housing development and oil-drilling in the Los Angeles area. Like "Chinatown", "The Two Jakes" is multi-layered and somewhat confusing at times. It will likely take multiple viewings to get the full effect of this film if you are unable to get it on the first try. Robert Towne's screenplay is smart, but Nicholson's direction lacks the creativity and overall brilliance of Roman Polanski's. Meg Tilly is adequate in the film. Ruben Blades and Richard Farnsworth both do good work, but overall nothing in this film can match what was accomplished 16 years earlier with its predecessor. 3.5 out of 5 stars.
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