A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
"The Facts About Mr. Valdeman." A woman's husband is on his deathbed, and a psychiatrist with whom she's having an affair hypnotizes him so they can get him to sign all his money over to his wife before he dies. The husband dies when he is still in a trance and becomes stuck between the two worlds, and seeks revenge and release. "The Black Cat." A forensic photographer resents his girlfriend bringing a stray cat home. He dispatches the little furball, only to find out he can't rid himself of it that easily. Based on stories by E. A. Poe. Written by
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Director Dario Argento originally planned a cable show based on the works of Edgar Allan Poe. George A. Romero had agreed to direct the pilot hour "The Facts in the Case of Mr. Valdemar", Michele Soavi was inked for "The Masque of the Red Death (which had been Romero's original choice) and Richard Stanley was up for "The Cask of Amontillado" (Michael Gambon had been cast as Fortunato and Jonathan Pryce as Montressor). Sadly Romero struck out and only one further episode ("The Black Cat") written and directed by Argento himself was produced. The other scripts ended up on the shelf. See more »
We found blood in the freezer down in the cellar.
Christ! Rich people... Sick stuff always turns out to be rich people.
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Before the narrative of the film starts, the Poe house in Baltimore is shown, with a plaque reading: Edgar Allan Poe 1809 1849 Dreaming dreams no mortal ever dared to dream before. See more »
Two experts and veteran film makers, George Romero and Dario Argento, transform two unknown Edgar Allan Poe's stories in a powerful and authorial cinematography's experience.Argento directs the best episode, about a photographer whose specialty resides in deaths and murders, and who is becoming a psychopath due to the metropolitan brutality that he testifies (and Argento exaggerates in this scenes,as always:the beginning of the film is a truly punch in the stomach).Harvey Keitel is great in this role, the kind of acting that made him famous. Argento uses quick edition, complex and original camera movements (as in the moment in which Keitel kills two detectives), and an extremely gloomy and unpleasant photography to accentuate the morbid climate that permeates most of his films. Even being violent and quite slow, "Two Evil Eyes" will please the horror fans, for being a show of impressive visual.
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