A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusional from their leader.
"The Facts About Mr. Valdeman." A woman's husband is on his deathbed, and a psychiatrist with whom she's having an affair hypnotizes him so they can get him to sign all his money over to his wife before he dies. The husband dies when he is still in a trance and becomes stuck between the two worlds, and seeks revenge and release. "The Black Cat." A forensic photographer resents his girlfriend bringing a stray cat home. He dispatches the little furball, only to find out he can't rid himself of it that easily. Based on stories by E. A. Poe. Written by
Ed Sutton <firstname.lastname@example.org>
Instead of your usual trilogy or anthology, TWO EVIL EYES is two hour-long Edgar Allan Poe adaptations written for the screen and directed by two top horror directors. "The Facts in the Case of Mr. Valdemar" (by George A. Romero) concerns a money-hungry wife (Adrienne Barbeau) and a greedy doctor (Ramy Zada) who team up to kill off the elderly husband Ernest (Bingo O'Malley) for his money. They unwisely use hypnotism to lure the victim to catatonia, which also allows Ernest to return from the dead and seek revenge. The storyline is too cliché in this outing and it's pretty dull despite an excellent lead performance from Barbeau and good (though sparsely used) Tom Savini make up FX. "The Black Cat" (by Dario Argento) is the reason to watch the movie. Harvey Keitel is typically good as Roderick Usher, an alcoholic crime photographer who makes a living publishing mondo photographs. His book ("Metropolitan Horrors") stirs up lots of controversy. The horror angle is added by a sinister black cat that constantly pops up in Usher's life and starts to drive him mad. Mixing elements from several Poe stories, Argento's flair for visual style and color schemes, loads of clever Poe reference (including nods to his "Pit and the Pendulum" and "Premature Burial") and lots of surprises, "The Black Cat" manages to be both entertaining and disturbing. Tom Savini also did FX for the segment (and appears). Pino Dinaggio did music for both.
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