A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
"The Facts About Mr. Valdeman." A woman's husband is on his deathbed, and a psychiatrist with whom she's having an affair hypnotizes him so they can get him to sign all his money over to his wife before he dies. The husband dies when he is still in a trance and becomes stuck between the two worlds, and seeks revenge and release. "The Black Cat." A forensic photographer resents his girlfriend bringing a stray cat home. He dispatches the little furball, only to find out he can't rid himself of it that easily. Based on stories by E. A. Poe. Written by
Ed Sutton <firstname.lastname@example.org>
Horror meinsters George Romero and Dario Argento each direct an hour long(or so) segment based on stories by Edgar Allan Poe. Romero's is first and is based on a lesser Poe story "The Strange Facts in the Case of M. Valdemar." A wealthy man is dying and hypnotized by a doctor who is aiding the rich man's beautiful wife for money and other fringe benefits. This segment is fairly well-conceived by Romero(who also wrote the script). The horror is more subtle than what you might expect and not very gory. Adrienne Barbeau, still quite a dish, does a good job as the ruthless wife and Ramy Zada does a mediocre job as her accomplice. E. G. Marshall has a bit part that he devours with gusto. The second segment by Argento naturally is the more bizarre and bloody. It is based on the oft-filmed story "The Black Cat." Argento creates a story about a photographer, played by Harvey Keitel, specializing in crime scene photos that also enjoys killing cats. Eventually his instincts lead to much higher organisms. This is also a decent piece as a whole. It has a load of famous actors: John Amos, Martin Balsam, and Kim Hunter. Argento puts a weird dream sequence that is nicely shot but has little relevance to the plot at all. This segment has a big payoff scene at the end that was very original if nothing else. Although certainly more suspenseful then Romero's piece, I liked the first one a bit more. It seemed to have greater continuity. Neither piece has any real life to it, and I think the film suffers a bit from the two story format. It is entertaining though and does provide a few honest chills.
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