During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
Locked in a school closet during Halloween 1962, young Frank witnesses the ghost of a young girl and the man who murdered her years ago. Shortly afterward he finds himself stalked by the ... See full summary »
"The Facts About Mr. Valdeman." A woman's husband is on his deathbed, and a psychiatrist with whom she's having an affair hypnotizes him so they can get him to sign all his money over to his wife before he dies. The husband dies when he is still in a trance and becomes stuck between the two worlds, and seeks revenge and release. "The Black Cat." A forensic photographer resents his girlfriend bringing a stray cat home. He dispatches the little furball, only to find out he can't rid himself of it that easily. Based on stories by E. A. Poe. Written by
Ed Sutton <email@example.com>
The "Black Cat" segment contains several other Edgar Allan Poe tales and character names. Two of the crime scenes recorded by Rod Usher are "The Pit and the Pendulum" and "Berenice"; the Tom Savini character in the latter is made up and costumed to look like Poe himself (who wrote "Berenice" in the first person, about a man who opens the tomb of his cousin and removes her teeth). Poe did, in fact, marry his own cousin, who died at the age of 25. Rod's wife's name is Annabel (neé Lee, one supposes); the bartender who returns the cat to him is named Eleonora; and the next-door neighbors are called Pym (first name, no doubt, Arthur Gordon). See more »
I married a rich, old man. I let him use me, for pleasure and for show. Now I'm going to let him pay me for my services.
See more »
Before the narrative of the film starts, the Poe house in Baltimore is shown, with a plaque reading: Edgar Allan Poe 1809 1849 Dreaming dreams no mortal ever dared to dream before. See more »
Two experts and veteran film makers, George Romero and Dario Argento, transform two unknown Edgar Allan Poe's stories in a powerful and authorial cinematography's experience.Argento directs the best episode, about a photographer whose specialty resides in deaths and murders, and who is becoming a psychopath due to the metropolitan brutality that he testifies (and Argento exaggerates in this scenes,as always:the beginning of the film is a truly punch in the stomach).Harvey Keitel is great in this role, the kind of acting that made him famous. Argento uses quick edition, complex and original camera movements (as in the moment in which Keitel kills two detectives), and an extremely gloomy and unpleasant photography to accentuate the morbid climate that permeates most of his films. Even being violent and quite slow, "Two Evil Eyes" will please the horror fans, for being a show of impressive visual.
6 of 7 people found this review helpful.
Was this review helpful to you?