A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Douglas Quaid is haunted by a recurring dream about a journey to Mars. He hopes to find out more about this dream and buys a holiday at Rekall Inc. where they sell implanted memories. But something goes wrong with the memory implantation and he remembers being a secret agent fighting against the evil Mars administrator Cohaagen. Now the story really begins and it's a rollercoaster ride until the massive end of the movie. Written by
Harald Mayr <email@example.com>
Towards the end of filming in Mexico, Paul Verhoeven got so sick from food poisoning that he would have an ambulance nearby on set at all times. In between takes the paramedics would administer fluids and medication so that he could keep directing in spite of his illness. See more »
The two moons of Mars appear in several background shots, but they are incorrectly depicted. They are both shown as being much larger than they would appear in real life - Phobos would appear to be about a third of the size of the moon, and Deimos as little larger than a star. In addition, Phobos revolves around Mars faster than Mars rotates, so it would appear to rise in the west and set in the east, and should have moved visibly with respect to Deimos even from one shot to the next. The two moons are always shown in the same relative positions, however. See more »
[Doug awakens from a nightmare]
Doug? Honey, are you all right?
You were dreaming. Doug? Was it about Mars?
Is that better?
My poor baby. This is getting to be an obsession.
See more »
A Satirical Technological Commentary, While Still Being An Enjoyable Sci-Fi Romp
Danish director, Paul Verhoeven, released his first American film in 1987; this was RoboCop, an action film which has since become situated in a league of its own. Not only was it a hit in the Western world, but a global box-office bragger and a critically acclaimed triumph. Subsequent to the success, Verhoeven was chosen to direct a film adapted from a novella by Philip K. Dick ("We Can Remember It for you Wholesale") and turned it into the 1990 action classic, Total Recall. Two surprisingly intelligent action films made in succession allowed Verhoeven to become an established film-maker, who was at liberty to take the content of mainstream films distinctly further.
Arnold Schwarzenegger took leading-man once again for Total Recall, just like the majority of films he starred in during the '80s and '90s. As with The Terminator, Predator and even Commando; his artificial and easy-to-mock acting went centre stage once again. Even though Schwarzenegger is far from being named a great actor, he is certainly situated as one of the most likable and satisfying (from a Blockbuster standpoint). His deadened approach is what makes his roles so true their form, and he is nearly always playing characters with seemingly robotic personalities. Growing up watching "Arnie actioners" is something I have always treasured, which is why his films are cherished memories and also the reason for making re-watches such an electrifying event.
Fusing reality with delusion (in what is essentially a case of identity crisis) is the core theme of Total Recall. Recurring -the now too-close-to-home- ideas of technological corruption reluctantly controlling a man's livelihood is hardly a topic which lacks the option of philosophical debate. In fact, for the action/science-fiction genre Verhoeven works wonders in making what seems to be a relatively stable, easy-going mainstream archetype into something which speaks out on politics and technology. Indeed, with the rapid increase and reliability on technology there is no doubt that us consumers will eventually resort to purchasing faulty, radioactive brain implants. Sadly, I am not joking, as I do believe that the foreseeable future of technology's control over our lives is inevitable.
Total Recall worked wonders for special-effects and make-up during the beginning of the '90s. Lifelike mutants and grand set-pieces, including architecture resembling art-deco and prefabricated design drove the film's ambiance. As with most action films the average shot length (ASL) is visibly short, but is acceptable for a film of its kind and works adequately when put in conjunction with the ultra-violent fight scenes. Villains are stereotypical, heroes sprout graciously eccentric one-liners ("Consider it a divorce!") and the array of characters are befuddling, but these are mere reasons why Total Recall is a cinematic product of its time, which still foreshadowed future possibilities.
If you are a person who takes everything far too seriously, then Total Recall is not appropriate viewing. However, if you are prepared to have an open-mind and realise that action films can still be clever (in this case due to a fantastically wrapped screenplay) you are likely to acquire a barrel of rip-roaring violence and furtive intellect. All too regularly is the film misconstrued as a meaningless American blockbuster, something it actually refrains from potentially becoming.
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