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Directed by | |||
| Étienne Chatiliez | |||
Writing credits | ||
| Florence Quentin | (scenario and dialogue) | |
| Florence Quentin | (adaptation) and | |
| Étienne Chatiliez | (adaptation) | |
Produced by | |||
| Charles Gassot | .... | producer | |
| Daniela Romano | .... | assistant producer | |
Original Music by | |||
| Gérard Kawczynski | |||
| Gabriel Yared | |||
Cinematography by | |||
| Philippe Welt | |||
Film Editing by | |||
| Catherine Renault | |||
Production Design by | |||
| Geoffroy Larcher | |||
Costume Design by | |||
| Elisabeth Tavernier | |||
Makeup Department | |||
| Loli Avellanas | .... | assistant hair stylist (as Lolita Avellanas) | |
| Valerie Combette | .... | assistant makeup artist | |
| Agathe Moro | .... | hair stylist | |
| Jasmine Nakache | .... | makeup artist | |
Production Management | |||
| Christian Lambert | .... | assistant unit manager | |
| Gilles Loutfi | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alexandre Bancel | .... | trainee assistant director | |
| Frédéric Blum | .... | first assistant director | |
| Jérôme Boussier | .... | second assistant director | |
| Philippe Chapus | .... | second assistant director | |
| Patricia Eberhard | .... | first assistant director | |
| Emmanuel Legrand | .... | assistant director | |
| Philippe Tourret | .... | assistant director | |
Art Department | |||
| Denis Barbier | .... | second assistant decorator | |
| Pascal Graffin | .... | first assistant decorator | |
| Piotr Styczen | .... | property master | |
Sound Department | |||
| Dominique Dalmasso | .... | sound | |
| Joëlle Dufour | .... | sound editor | |
| Jacques Lévy | .... | post-synchronization | |
| Laurent Lévy | .... | foley artist | |
| Pascal Mazière | .... | assistant foley artist | |
| Guillaume Sciama | .... | sound | |
| Isabelle Tat | .... | assistant sound editor | |
Casting Department | |||
| Michèle Tollemer | .... | extras casting | |
Costume and Wardrobe Department | |||
| Khadija Zeggaï | .... | costumer | |
Editorial Department | |||
| Clémence Lafarge | .... | assistant editor | |
Other crew | |||
| Françoise Billet | .... | production administrator | |
| Élizabeth Boorn | .... | production secretary | |
| Pierre Cadeac | .... | animal trainer | |
| Brigitte Hedou | .... | script supervisor (as Brigitte Hedou-Prat) | |
| Nicole Heitzmann | .... | production administrator | |
| Eva Simonet | .... | press attache | |
| Richard Verkade | .... | groupman | |
| Recent Posts (updated daily) | User |
|---|---|
| I love this movie! | samanthaseaotter |
| Tatie Danielle on DVD? | cacique5 |
| Two plot holes | csagne |
| Who is the dead husband? | csagne |
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| Love Actually | Bitter Moon | Mr. Bean's Holiday | 8½ | Saraband |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
Tsilla Chelton gives a flawless performance as the cunning, scheming, mischievous old widow Auntie Danielle, She commands our attention in every scene and she is on the screen most of the time. Her aged housekeeper companion Odile is driven frantic by this cantankerous old shrew who insists she completes the most impossible and dangerous tasks such as cleaning the chandeliers. Her nephew and niece move in to look after her in her supposedly frail state of health and she makes life absolute hell for them, too. She has a framed photograph of her late husband Edouard hanging on the wall and she consults him on all her personal matters. I found these conversations highly amusing. The most entertaining part of the movie is when the relatives take off for Greece leaving Auntie Danielle under the care of a young woman employed to look after her. Sparks fly when these two obstinate individuals come face to face neither giving way to the other, The bed-wetting scene is quite a gem, but there are many other incidents which are equally amusing. The ending of the film in the Alps comes somewhat as a surprise as we see a complete transformation of Auntie. The spirited singing at the beginning and the end has nothing to do with the story, but I think it is a charming and original addition to a film which keeps you chuckling long after the credits have rolled.