| Starr Andreeff | ... | Susan Valentine | |
| Mitchell Laurance | ... | Nick Cary | |
| David Gale | ... | Carter Brown | |
| Charles Lucia | ... | Stan Armbrewster | |
| Riva Spier | ... | Paul Gorski | |
| Jeff Doucette | ... | David Greenwait | |
| Bill Gratton | ... | Lt. Leo Rosselli | |
| Lewis Arquette | ... | Ethan Valentine | |
| Jon Korkes | ... | Tim Calhoun | |
| Melanie Shatner | ... | Bonnie Brown | |
| Kenneth Zavayna | ... | Sam Krebs (as Ken Zavayna) | |
| Roy Fegan | ... | Donnie | |
| Julie Kris | ... | Candy | |
| Kate Romero | ... | Brandy | |
| Christopher Burgard | ... | Scott | |
| Kathryn Noble | ... | Receptionist | |
| Merritt Yohnka | ... | Guard | |
| Tim Trella | ... | Guard | |
| rest of cast listed alphabetically: | |||
| Kevin M. Glover | ... | Syngenor | |
Directed by | |||
| George Elanjian Jr. | |||
Writing credits(in alphabetical order) | ||
| Michael Carmody | story | |
| Brent V. Friedman | screenplay | |
Produced by | |||
| William G. Dunn | .... | line producer | |
| Marcel R. Elanjian | .... | executive producer | |
| Jack F. Murphy | .... | producer | |
| Eldon Nygaard | .... | associate producer | |
Original Music by | |||
| Thomas Chase | |||
| Steve Rucker | |||
Cinematography by | |||
| James Mathers | |||
Film Editing by | |||
| Ellen Keneshea | |||
Casting by | |||
| Michael Cutler | |||
| Cathy Henderson | |||
Production Design by | |||
| R. Clifford Searcy | |||
Set Decoration by | |||
| Ian Cramer | |||
Costume Design by | |||
| Rhona Meyers | |||
Production Management | |||
| Patricia Mastorakos | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Fred H. Dresch | .... | first assistant director | |
| John W. Hyde Jr. | .... | second second assistant director | |
| Kelly Kiernan | .... | second assistant director | |
Sound Department | |||
| Mark A. Rozett | .... | sound re-recording mixer | |
| Steve Sollars | .... | production sound mixer | |
Special Effects by | |||
| Theresa Burkett | .... | special effects | |
| Yancy Calzada | .... | special effects | |
| William Malone | .... | creature design | |
| Margaret Prentice | .... | special effects (as Margaret Beserra) | |
| Mark Williams | .... | special makeup effects | |
Visual Effects by | |||
| Larry Arpin | .... | optical effects | |
| Austin McKinney | .... | special effects camera operator | |
| Dennis Skotak | .... | visual effects consultant | |
| Robert Skotak | .... | visual effects consultant | |
Stunts | |||
| Barbara Anne Klein | .... | stunts | |
| Gregg Smrz | .... | stunts | |
| Merritt Yohnka | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Bryan Godwin | .... | assistant camera | |
| Anita Ingle | .... | still photographer | |
| Geza Sinkovics | .... | camera operator: second unit | |
Animation Department | |||
| Michael Hyatt | .... | rotoscope artist (as Mike Hyatt) | |
Editorial Department | |||
| Amy Tompkins | .... | first assistant editor | |
| Norman R. Walker | .... | assistant editor | |
Music Department | |||
| Stephen C. Marston | .... | composer: additional music (uncredited) | |
Other crew | |||
| Laurel Fest | .... | script supervisor | |
| Lucienne Lane | .... | production coordinator | |
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| Basket Case 2 | Night of the Creeps | Carnosaur | Alien Predator | They Came from Within |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
For those who enjoyed David Gale in RE-ANIMATOR (and who didn't??) it would seem that SYNGENOR (that is SYNthesized GENetic ORganism) is required viewing. Hell, Gale even injects himself (IN THE NECK!!) with what appears to be a substance VERY SIMILAR to re-agent! In this sequel (?) to SCARED TO DEATH we have a corporation by the name of Norton Cyberdyne (rubbish logo by the way) who have created a series of "creatures" to act as "supersoldiers" in any upcoming conflict in "rain-free" (there's the catch...) environments, namely: The Middle East. Things go wrong (of course) resulting in a handful of Syngenors breaking free from their Cyberdyne basement confines to wreak havoc in true cheap-horror fashion. The creatures themselves (though obviously inspired by a certain Giger design) are the strong-point - I'd even go so far as to say that they're THE BEST low-bud monsters since INVASION OF THE SAUCER MEN, problem being there's too little running, blood & screaming to keep them occupied. When the "action" finally arrives we're treated - in one scene - to a selection of Cyberdyne guards - looking like they'd just fell out of an old (pre-flowerpot) DEVO promo - marching to the depths of the Cyberdyne 'scraper with such little conviction you'd swear the comedic angle was intentional. Perhaps this IS supposed to be funny: the "learned" screenwriters attempt to parody the perceived insanity of The Military Industrial Complex (TM) via both "Carter Brown" (Gale) & Cyberdyne's infommercial promo material. In the hands of an Italian director, SYNGENOR could have been a DEMONS style contender - as it stands, a reasonable stab at an SF/stalker/gore flick which attempts to recreate the intensity of a certain other film (yep, RE-ANIMATOR again) during in final minutes.