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Storyline
A scientist engineers a group of genetically engineered cyborgs for use as "supersoldiers" to fight U.S. wars in the Middle East. However, things get ugly when the cyborgs malfunction and turn on their creators.
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Taglines:
Product of science - nightmare from hell
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Did You Know?
Trivia
The basement of the building where the Syngenors are kept was actually filmed in a Hotel kitchen. White sheets were used to cover up the all kitchen appliances.
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Quotes
Carter Brown:
Somebody wants me to fry - I can feel it.
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Connections
References
Re-Animator (1985)
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For those who enjoyed David Gale in RE-ANIMATOR (and who didn't??) it would seem that SYNGENOR (that is SYNthesized GENetic ORganism) is required viewing. Hell, Gale even injects himself (IN THE NECK!!) with what appears to be a substance VERY SIMILAR to re-agent! In this sequel (?) to SCARED TO DEATH we have a corporation by the name of Norton Cyberdyne (rubbish logo by the way) who have created a series of "creatures" to act as "supersoldiers" in any upcoming conflict in "rain-free" (there's the catch...) environments, namely: The Middle East. Things go wrong (of course) resulting in a handful of Syngenors breaking free from their Cyberdyne basement confines to wreak havoc in true cheap-horror fashion. The creatures themselves (though obviously inspired by a certain Giger design) are the strong-point - I'd even go so far as to say that they're THE BEST low-bud monsters since INVASION OF THE SAUCER MEN, problem being there's too little running, blood & screaming to keep them occupied. When the "action" finally arrives we're treated - in one scene - to a selection of Cyberdyne guards - looking like they'd just fell out of an old (pre-flowerpot) DEVO promo - marching to the depths of the Cyberdyne 'scraper with such little conviction you'd swear the comedic angle was intentional. Perhaps this IS supposed to be funny: the "learned" screenwriters attempt to parody the perceived insanity of The Military Industrial Complex (TM) via both "Carter Brown" (Gale) & Cyberdyne's infommercial promo material. In the hands of an Italian director, SYNGENOR could have been a DEMONS style contender - as it stands, a reasonable stab at an SF/stalker/gore flick which attempts to recreate the intensity of a certain other film (yep, RE-ANIMATOR again) during in final minutes.