A London accountant on his honeymoon gets swept away by gambling fever.

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Cast

Cast overview, first billed only:
...
...
Marianne Price ...
Bus Conductress
Jeffrey Robert ...
Bus Conductor
Willy Ross ...
Man in Cinema
Harriet Reynolds ...
Telephonist
Tim Seely ...
Godfrey Talbot ...
Naismith
Marius Goring ...
Blixon
...
...
Lawrence Davidson ...
Hotel Receptionist
Patrick Albenque ...
Assistant Hotel Manager
Olivier De Neufville ...
Casino Doorman
Max Wall ...
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Storyline

A bland young accountant for a huge company decides to splurge on a honeymoon trip to Monte Carlo with his new bride, despite the fact such a trip is far beyond their means. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

26 January 1990 (USA)  »

Also Known As:

Loser Takes All  »

Filming Locations:


Box Office

Gross:

$541,626 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The last feature film of Marius Goring. See more »

Connections

Version of Loser Takes All (1956) See more »

Soundtracks

Catch a Falling Star
(uncredited)
Written by Lee Pockriss and Paul Vance
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User Reviews

 
Molly Ringwald is unconvincing as a kooky youth in the 1950s...
10 September 2005 | by (las vegas, nv) – See all my reviews

Molly Ringwald is such a modern, grounded presence on the screen that she's an awfully odd fit for a romantic comedy set in the '50s. Paired up curiously with a much-older man (the somewhat square Robert Lindsay), Molly finds herself in Monte Carlo without her rich benefactor (an amiable John Gielgud), and soon the couple is without funds. The picture begins well, and utilizes its cramped budget to good effect, but it's my guess that the later scenes were filmed first because by the last reel, Ringwald and Lindsay suddenly seem very uncomfortable together. This is a slight romantic comedy which may play better on TV than it did in the theater; the production looks great and there are some laughs early on. How does the grown-up Molly Ringwald fare? She still has that special spark, but without many witty lines--à la the pen of John Hughes--she's just a bit unsure of herself, though still pretty (in black, this time). ** from ****


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