| Joe Estevez | ... | The Man / Soultaker | |
| Vivian Schilling | ... | Natalie McMillan | |
| Gregg Thomsen | ... | Zach Taylor | |
| Robert Z'Dar | ... | Angel of Death | |
| David 'Shark' Fralick | ... | Brad Deville (as David Shark) | |
| Jean Reiner | ... | Anna McMillan | |
| Chuck Williams | ... | Tommy Marcetto | |
| David Fawcett | ... | Mayor Grant McMillan | |
| Gary Kohler | ... | Sgt. Haggerty | |
| Dave Scott | ... | Officer Mel | |
| Peter Dach | ... | Store Clerk | |
| Cinda Lou Freeman | ... | Candice | |
| Meschelle Manley | ... | Karen | |
| Charles Bosworth | ... | Mr. Taylor | |
| Jeff Deen | ... | Dr. Richard Reiner | |
| John Edd Thompson | ... | News Anchor | |
| Eric McLendon | ... | On-Air Reporter | |
| Bob Grant | ... | Reporter #1 | |
| Eric Parkinson | ... | News Reporter | |
| Barbara B. Patten | ... | Nun | |
| Anna H. Watts | ... | Nun | |
| Eugene Walter | ... | Nun | |
| Sammy Busby | ... | David Smith | |
| Josef Holloway | ... | Orderly | |
| Kimberly Keltner | ... | Nurse #1 | |
| Sally Daniel | ... | Nurse #2 | |
| Alice B. Blake | ... | Dying Lady | |
| George Wadlow | ... | Dying Man |
Directed by | |||
| Michael Rissi | |||
Writing credits | ||
| Vivian Schilling | (story) and | |
| Eric Parkinson | (story) | |
| Vivian Schilling | (screenplay) | |
Original Music by | |||
| Jon McCallum | |||
Cinematography by | |||
| James Rosenthal | (director of photography) (as James A. Rosenthal) | ||
Film Editing by | |||
| Jason Coleman | |||
| Michael Rissi | |||
Casting by | |||
| Mary Gaffney | |||
| Daniel Travis | |||
Art Direction by | |||
| Thad Carr | |||
Costume Design by | |||
| Sylvia Lawrence | |||
Production Management | |||
| Jason Coleman | .... | post-production supervisor | |
| John Scherer | .... | unit production manager | |
Art Department | |||
| Blake Savelle | .... | property master | |
Sound Department | |||
| Philip G. Allen | .... | sound designer (as Phillip Allan) | |
| Kami Asgar | .... | post-production sound | |
| Bob Grant | .... | sound mixer | |
| Tahamas Ray | .... | post-production sound | |
| Charlie Shepard | .... | boom operator (as Charlie Sheppard) | |
| Lawrence L. Simeone | .... | post-production sound (as Larry Simeone) | |
Visual Effects by | |||
| Jerry Kitz | .... | animation effects | |
| Jerry Kitz | .... | opticals | |
| John Lambert | .... | animation effects | |
| John Lambert | .... | opticals | |
Stunts | |||
| Gary Beal | .... | stunts (as Gary Beall) | |
| David 'Shark' Fralick | .... | stunts (as David Shark) | |
| Bob Ivy | .... | stunt coordinator | |
| Bob Ivy | .... | stunts | |
| David Sanders | .... | stunts | |
Camera and Electrical Department | |||
| David Adams | .... | best boy: second unit | |
| Norman Andrews | .... | assistant camera: second unit | |
| Glenn Ballard | .... | grip: second unit | |
| David Dechant | .... | second assistant camera (as David Dechent) | |
| Greg Dudler | .... | best boy electric | |
| Tommy Fell | .... | grip | |
| Matt Gulbin | .... | best boy grip | |
| Michael Gulbin | .... | key grip (as Michael Gulfin) | |
| Zoltan Gyulai | .... | first assistant camera (as Zoli Gyulay) | |
| Darryl Humber | .... | best boy grip | |
| Robert J. LeRoux | .... | assistant camera: second unit | |
| Randy Shanofsky | .... | first assistant camera | |
| Timothy Sheffer | .... | assistant camera (as Tim Sheffer) | |
| Phillip Sheppard | .... | grip | |
| David Watson | .... | gaffer | |
| Jeff Weaver | .... | electrician | |
| Brett Webster | .... | camera operator: second unit | |
Costume and Wardrobe Department | |||
| Heidi Fundinger | .... | wardrobe assistant | |
| Kelly Walker | .... | wardrobe: second unit | |
Editorial Department | |||
| Michael Kennen | .... | assistant editor | |
Other crew | |||
| Sally Daniel | .... | production assistant | |
| Gary Dennis | .... | production assistant | |
| Cheryl Greathouse | .... | production assistant | |
| Andrea E. Griffin | .... | production assistant | |
| Chad Hahn | .... | production assistant | |
| Debbie Jackson | .... | production coordinator | |
| Kimberly Jacobs | .... | production assistant | |
| Kimberly Keltner | .... | script supervisor | |
| Angela B. Moody | .... | production assistant | |
| Mike Plantholt | .... | production assistant | |
| Tyner Reeves | .... | production assistant | |
| Sharon Yahnke | .... | craft service | |
| Lonnie Ramati | .... | production business & legal affairs (uncredited) | |
Thanks | |||
| Morris Asgar | .... | special thanks | |
| Mel Cosgrove | .... | special thanks | |
| Peter Lossing | .... | special thanks | |
| Ray Quinn | .... | special thanks | |
| Jim Robilard | .... | special thanks | |
| Mark Strickland | .... | special thanks | |
| Tony Williams | .... | special thanks | |
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| River's Edge | Party Monster | Enter the Void | Carnival of Souls | Death's a Bitch |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb bottom 100 movies | IMDb Fantasy section |
| IMDb USA section |
I have read quite a few comments about "Soultaker" and how bad the movie is or isn't. As a filmmaker myself I can tell you that given the same set of parameters most of the heavy critics on here would have a completely different opinion of Soultaker or most movies done on a low budget if they worked in the business. I had the honor of distributing this film for A.I.P. Studios when it came out. It will go down as one of the most successful selling movies I carried during my time as a distributor. The video stores ate it up, and it rented very well. There was an entire industry devoted to making low budget or "B" movies especially back then. A.I.P. Studios, PM Entertainment, Raedon Home Video, these companies put out product every month that was well received by video stores, the makers of these films had to be clever in giving the audience production value and compared to today were high definition CGI is the norm, that was simply not the case back then and to make a comparison is ridiculous. Can you imagine what these talented filmmakers could do with a big studio budget. I can tell you making low budget movies can be challenging and I believe that is why a lot of us do it, to see how good we could do with such limitations. There are plenty of films that really don't deliver what you think they should with an all star cast and a $50 million dollar budget. The playing field is different and that's part of the magic. I directed a picture called "Meltdown" with Joe Estevez and Robert Zdar in it strangely enough and I can tell you that both of them are not only great people to work with but are excellent actors to boot. That is how "B" movies are done, they have either an actor like Joe who comes from a famous acting family or they are older "A" actors that are no longer at the top of the heap, for example: Christopher Plummer, Martin Landau, David Carridine(RIP), Tony Curtis and list goes on. All of these people are fantastic actors and well recognized by the public and a great value to a low budget film. I am glad to see after all this time Soultaker is now a cult classic and has it's place in movie history a time that I wish would come back. Business was incredible back then and Soultaker certainly delivered, so Vivian if you read this my hat is off to you for your efforts and I wish you the best. I know you write books now but it would be great if you would do more movies the business could use your talent.