Five college women buy the old Hokstedter place for their new sorority house. They got it cheap because of the bloody incidents from five years before. They decide to stay in it for the ...
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Jean-Claude Van Damme,
Five college women buy the old Hokstedter place for their new sorority house. They got it cheap because of the bloody incidents from five years before. They decide to stay in it for the night so they can meet the movers in the morning, but begin to get the creeps when the weird neighbor Orville Ketchum starts poking around. Shortly after the women take showers and consult a Ouija board they begin experiencing an attrition problem. Written by
Ed Sutton <email@example.com>
Any unauthorized exhibition, distribution or copying of this film or any part thereof (including soundtrack) is an an infringement of the relevant copyright and will subject the infringer to severe civil and criminal prosecution not to mention a personal visit from Orville Ketchum See more »
Five sorority sisters move into a big new mansion (Isn't this the same place Fred Olen Ray usually films his movies?) and are menaced by the fat, crater-faced, zombie-like next door neighbor "Orville Ketchum" (i.e. Peter Spellos). After lots of nonsense that exists just to fill time (and a pointless subplot starring two cops) someone in the group starts killing everyone off with a hook. For your money you get two shower scenes, three clothes-changing scenes, a bathtub full of blood, a foot in a bear trap, a OUIJA board, a possession, a knife stuck in a neck, a "spank" room, a man eating a sandwich made of raw meat, flashbacks featuring footage from SLUMBER PARTY MASSACRE, the slasher scene from Hollywood BOULEVARD seen on a TV set, a trip to a strip club where deceased porn star Savannah dances and much more. It's quite the little B-movie package we got going on here.
Sure, the acting's not Oscar caliber (though the roles ARE played with enthusiasm, especially by Gail Harris *love her accent, by the way*) and it's totally clichéd, but it's actually a pretty fun and extremely entertaining little B slasher if you like these kind of things. Jim Wynorski never aims high with any of his films, but the fact not one moment in this film is played seriously makes it emerge as a sort-of parody. (If you loved this, you'll also love HARD TO DIE, by the way.)
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