A small-town crime boss accepts delivery of a stolen car, only to find there's a baby in the back-seat. He and his transvestite "wife" cut out the boy's tongue and raise him as a mute ... See full summary »
Nothing bad could ever happen on quiet, tree lined Wormwood Drive. At least that's what Bob and Wendi Petersen thought, before they met their new neighbor... Having moved across country so ... See full summary »
De Anna Joy Brooks
The story follows the life of a regular German women Leni Gruyten during 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.
Rita Rizzoli is a narcotics police officer with a plethora of disguises. When a drug shipment is hijacked, the thieves don't know that the drug is unusually pure and packs of "Fatal Beauty"... See full summary »
Death of his wife's pet poodle and a threatening movie producer create a world of trouble for a middle-aged B-movie mogul. He hires two psychopathic goons to take care of it, which only creates more trouble and attracts the cops.
A detective becomes obsessed with bringing a man to justice, whom he is sure is a serial killer and the murderer of a woman with which both men were involved. However, the supposed killer ... See full summary »
Bud is a strange loner who works in a liquor store by day and is addicted to betting on the horses at night. He lives in a low-rent building in an even lower-rent section of town, and one ... See full summary »
As a part of a special government reform program, inmate J.T. Blake has to take care of Johnny Reynolds who has cerebral palsy. In the meantime, another inmate wants to take care of J.T. Blake forever.
Allan A. Goldstein
R. Nelson Brown,
A small-town crime boss accepts delivery of a stolen car, only to find there's a baby in the back-seat. He and his transvestite "wife" cut out the boy's tongue and raise him as a mute accomplice in their crimes. When the grown "Sonny Boy" escapes and tries to make contact with the outside world, the attention he draws to his warped family results in darkly-humored mayhem. Written by
In an interview director Robert Martin Carroll explained that there were three moral lessons behind the film. First, "someone doesn't deserve your love just because they say they love you." Second, "if there is good in a person it will eventually come out." Third, "once you've messed up, unlike most movies, there is no real happy ending. You'll always be a bit off." See more »
Terminally weird indie film with Paul L. Smith playing Slue, a small town crime boss. David Carradine plays his transvestite (I think) squeeze, Pearl, while Brad Dourif and Sydney Lassick are his two henchmen, Weasel and Charlie P. Weasel kills a couple and steals their car, which he brings to Slue. He didn't realize, however, that the couple's baby was asleep in the back. Slue wants to feed the kid to the hogs, but Pearl sees him as the son he could never have. They raise him as a killer to be used against Slue's enemies. They also cut out his tongue as a birthday present?! When Sonny Boy gets loose, his actions threaten to turn the town against Slue.
I had wanted to see this one after reading about it in "Terror on Tape", and TCM gave me the chance when they aired it as part of their Underground lineup. As you can plainly see from the plot description, it's certainly offbeat. Sort of an allegory in disguise for the effects of child abuse, you might expect this to be a disturbing film. Not even close. Instead, it's just strange. Slue has an old canon, and in a wicked scene, he uses it to blow apart a nosy deputy. There are also some obvious parallels to Frankenstein towards the end. Had I not known it beforehand, I would have been shocked to see that this was released in '89. It felt like something straight out of the 70's. The main giveaway was the computer font which tells how much time had passed.
While I would hesitate to call "Sonny Boy" a good film, it's worth a look if only to say that you've seen it. For fans of bizarre cinema, there's enough of a novelty present to warrant at least one viewing. Personally, I'm still not 100% sure if Carradine was supposed to be playing a guy in drag or an actual woman.
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