| Index | 8 reviews in total |
9 out of 10 people found the following review useful:
The miracle maker, 17 February 2006
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Author:
jotix100 from New York
Leo Tolstoy's story was adapted with great style by Vittorio and Paolo
Tviani, with the help of Tonino Guerra, an excellent writer on his own,
and a man that has been connected with wonderful movies in his native
Italy. This is a story told by the Tavianis with extreme care in
magnificent locations in their usual way that pays a lot of attention
to detail and the beauty of the Italian landscape. The musical score by
Nicola Piovani, one of their usual collaborators, contribute to make
the film a joy when we listen to the atmospheric music. Cinematographer
Giuseppe Lanci captures with precision the gorgeous scenery around
L'Aquila and the region into images that leave the viewer breathless.
The story is a strange one. When Sergio, the young man from humble
origins, gets the attention of Charles III of Naples attention, he
doesn't even suspect of the deceit he is made a part of. The beautiful
Cristina reveals a secret that will be pivotal in Sergio's life. In
horror, he flees that glamorous life at the court and becomes a priest.
He wants to be no ordinary priest, he wants to go to a remote area to
become a monk.
It's at that location that he is discovered because of having performed
a miracle. The solitude he is seeking intrudes in his life and the
final blow arrives in the form of a disturbed young woman who has more
than a cure in mind. The noble Sergio decides to go back to the world
he left behind because he realizes he can't stay in a place where is no
longer where he wants to be.
Julian Sands is perfect as Sergio the mystical man. Natassja Kinski
plays Cristina. Charlotte Gainsbourg makes a great appearance as the
disturbed Matilda. Patricia Millaret, Margarita Lozano, and the rest of
the crew make the film a joy to watch.
The Taviani brothers should be seen more often because their films are
always so beautifully crafted and leave their grateful fans awaiting
eagerly for the next film.
7 out of 10 people found the following review useful:
Wonders, Miracles, Breathtaking Scenery, Glorious Actors..., 9 September 2004
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Author:
eric wobma from amsterdam
As I have tried to express my deep love for Taviani films before, I
will not start that again. But boy is this film a marvel !!
Overwhelming photography, getting wider and wider where the protagonist
tries to get further away from each and everyone. To find the
temptation which will finally get him down from his pedestal (= his
pride) in the renovated shack that was once his hermit cell.
The story is gripping and a true marvel, the pace elaborate (NOT slow,
definitely not slow !!) and thoughtful.
And the actors ! What performances !! Where to start ? With Julian
Sands of course, who is glorious even when he is not allowed to use his
own voice. And the women in his life !! Just like that other bearded
miracle worker, Father Sergio has 4. A mother and 3 ladies. (but then
I'd forget his sister, and that would be very ungrateful...) Superb
performances by all of them, and each and every other cast member.
Let's pray for another miracle: Let's sincerely hope Maestro Paolo and
Maestro Vittorio make some dozen more of their sublime storytelling
films...
4 out of 5 people found the following review useful:
a lyric film, 16 June 2005
Author:
Mazzeno
great film. it is based on Tolstoy's novel, but when I first saw it I did not know that. I just felt there was something from Russia, maybe the enthusiasm under silence. Sergio, a nobleman with strong self-respect and vanity, found his fiancée used to be a mistress of his duke, he felt deeply hurt and betrayed, and he became a friar. after many years, he was known as a sage, but all faded out when a innocent girl was taken to him. though a Italian film, but the directors express in the most appropriate way the thought of religion and life. They added details like the pear tree at the intersection, applied to the hero's feeling and very lyric. I also very appreciate the scene when Sergio knew the truth of his fiancée, nothing was told, the hero just saw her stood in dark. nothing need to be told.
2 out of 3 people found the following review useful:
Search for meaning, 12 October 2011
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Author:
oOgiandujaOo from United Kingdom
The Night Sun is the story of a proud, honest and sensitive man who
struggles in the world some centuries ago. His writhings relate to the
mismatch between the indifference of people to one another and his
ideals of compassion and intimacy, between the world's requirement of
submission and debasement and a pride which accepts no tyranny.
Sergio Giuramondo searches for meaning in isolation, but is only bored
and obstreperous, the blithe landscape, perhaps as metaphysical as
physical, re-echoes the monotone of indifference he has encountered
elsewhere, rutting scarabs in the bright sunshine suggest soulless lust
in a world without God. Neither is hope or meaning to be found in the
exalted echelons of the nobility.
The movie seems ambivalent, has Giuramondo, a talented brilliant man
been offered his fill of the cup of life, and dashed it to the floor,
his own worst enemy, a man at war with himself, or does he find
contentment and meaning, and a route to a life beyond this veil, a
white chalk path out of the green hills of life's wilderness.
In either case, the Tavianis created here a movie that lingers, a
baffling pageant interspersed with longueurs, as it their wont and
stamp.
3 out of 5 people found the following review useful:
A Beautiful Story of Miracles, 15 February 2004
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Author:
Claudio Carvalho from Rio de Janeiro, Brazil
*** This review may contain spoilers ***
Spoilers
In the Eighteenth century, in Naples, Baron Sergio Giuramondo (Julian Sands)
is a noble with simple origins. King Carlos III introduces him to Countess
Cristina (Nastassja Kinski), for an arranged marriage with a member of a
noble and wealthy family. Sergio falls in love with Cristina, but a few days
before the wedding, Cristina tells Sergio that she had an affair with King
Carlos III and had been his lover for one year. Feeling humiliated and with
a broken heart, Sergio joins the Church and becomes a Catholic priest. A few
years later, he asks to go to Monte Di Petra, a hermitage where the previous
priest had died. There, the peasants believe he is able to make miracles and
many pilgrims arrive there. Among them, comes Matilda (Charlotte
Gainsbourg), a beautiful daughter of a trader, who seduces Sergio. Sergio
leaves his seclusion, tries to commit suicide, and return to his lands as a
drifter. This movie is a beautiful story of miracles and faith. Slow, as
most of Taviani's films, but very intriguing. My vote is
seven.
Title (Brazil): `Noites Com Sol' (`Nights With Sun')
3 out of 5 people found the following review useful:
study of miracles, 11 May 2003
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Author:
ay9a (ay9a@Virginia.EDU) from charlottesville, VA
Beautiful, spiritual and thought provoking film about a heart-broken man who decides to seclude himself in a mountain. I consider it the best by the directors. It might make you think of how the "miracle" is conceived in our mind from witnessing a super-human power of will, and how the legend of a saint may arise.
5 out of 9 people found the following review useful:
Magic!, 29 July 2005
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Author:
nvandenberghe from United States
This is a beautiful, profound movie. It is based on a novel by
Dostoievsky, which ads an existential dimension to the craft of the
Taviani brothers.
The struggle of the lead character to extract himself from all human
attachments is fascinating - and his ultimate failure should give some
thoughts to a lot of self-proclaimed spiritual schools, from the
Vatican to the Dalai Lama.
While this is a history piece, this movie retains the neo-realism style
of some other works like "Padre, Padrone" mixed with a touch of
surrealism as in "Kaos".
The Taviani brothers at their very best. One can only wish they had
remained so inspired!
2 out of 5 people found the following review useful:
extremely well-acted but far from perfect, 22 December 2005
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Author:
planktonrules from Bradenton, Florida
This was a good film and I enjoyed watching it. However, I also
understand that while I could sit through the film, many others would
be bored by both its slow pacing and the lack of emotional range from
the characters. Julian Sands portrays this emotionally limited man and
he seemed to do a good job with it--but people wanting action and
excitement in their films will probably have a hard time sticking with
the film.
So on the plus side were the acting, cinematography and musical score.
One the negative side was the ambiguous plot. The exact motivations for
Sands' character and the point the author (Tolstoy) is trying to make
seem a little vague.
Overall, a decent film and worth seeing, though there are of course
some better Italian films.
PS--in the original Tolstoy version, does it REALLY take place in Italy
or was the setting Russia? I am curious to know.
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