| Meredyth Herold | ... | Daughter | |
| Panos Thanassoulis | ... | Singapore Sling (as Panagiotis Thanasoulis) | |
| Michele Valley | ... | Mother |
Directed by | |||
| Nikos Nikolaidis | |||
Writing credits(in alphabetical order) | ||
| Nikos Nikolaidis | ||
Produced by | |||
| Marie-Louise Bartholomew | .... | producer | |
Cinematography by | |||
| Aris Stavrou | |||
Film Editing by | |||
| Andreas Andreadakis | |||
Casting by | |||
| Avet Sfakianaki | |||
Art Direction by | |||
| Marie-Louise Bartholomew | (art direction) | ||
Set Decoration by | |||
| Marie-Louise Bartholomew | |||
Costume Design by | |||
| Marie-Louise Bartholomew | |||
Makeup Department | |||
| Danièle Vuarin | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| H. Konstadinidis | .... | assistant director | |
| Dimitris Niahas | .... | second assistant director | |
Art Department | |||
| Pavlos Houtas | .... | special constructions | |
| Tisos Kitsos | .... | construction coordinator | |
| Antonis Livanis | .... | scenic artist | |
| Thanasis Morfopoulos | .... | property master | |
| Stelios Rogakos | .... | set dresser | |
Sound Department | |||
| Nikos Despotidis | .... | sound engineer | |
| Argyris Lazaridis | .... | sound | |
Costume and Wardrobe Department | |||
| Stelios Rogakos | .... | costume assistant | |
Editorial Department | |||
| Eleni Andreadaki | .... | assistant editor | |
| Eleni Moshoni | .... | negative cutter | |
Other crew | |||
| Eleni Andreadaki | .... | script supervisor | |
| Katerina Merkouri | .... | titles and opticals | |
| Alexis Valsamis | .... | production assistant | |
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| Fellini Satyricon | Freeway | Sweet Movie | Intermission | A Serbian Film |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Greece section |
What do you get when you cross Preminger's LAURA with the Kuchar/McDowell brain-frier THUNDERCRACK!? Something that looks a lot like SINGAPORE SLING, one of the more demented European films of, well, ever. The story of a gut-shot Greek detective in search of a mysterious "Laura" who stumbles upon the house where she's living with her "mother" (who's probably neither that or female, for that matter) gets stranger by the turn, and does not shy away from bizarre sex, ultra-violence, and regurgitative gross-outs in the process. Filmed in beautiful black-and-white, it's a one-of-a-kind film, more purely noir than most noir retreads of recent years, yet far too demented to be considered merely noir. Viewers with strong stomachs seeking the ultra-outre will find this to their delight; all others had best shy away.