| Photos (See all 18 | slideshow) | Videos (see all 2) |
| Debra Winger | ... | Kit Moresby | |
| John Malkovich | ... | Port Moresby | |
| Campbell Scott | ... | George Tunner | |
| Jill Bennett | ... | Mrs. Lyle | |
| Timothy Spall | ... | Eric Lyle | |
| Eric Vu-An | ... | Belqassim | |
| Amina Annabi | ... | Mahrnia | |
| Philippe Morier-Genoud | ... | Captain Broussard | |
| Sotigui Kouyaté | ... | Abdelkader (as Sotigui Kouyate) | |
| Tom Novembre | ... | French Immigration Officer | |
| Ben Smaïl | ... | Smail (as Ben Smail) | |
| Kamel Cherif | ... | Ticket Seller | |
| Mohammed Afifi | ... | Mohamed (as Afifi Mohamed) | |
| Brahim Oubana | ... | Young Arab | |
| Carolyn De Fonseca | ... | Miss Ferry (as Carolyn de Fonseca) | |
| Veronica Lazar | ... | Nun | |
| Rabea Tami | ... | Blind Dancer | |
| Nicoletta Braschi | ... | French Woman | |
| Menouer Samiri | ... | Bus Driver | |
| Keltoum Alaoui | ... | Woman in Hotel du Ksar | |
| Mohamed Ixa | ... | Caravan Leader | |
| Ahmed Azoum | ... | Young Tuareg | |
| Alghabid Kanakan | ... | Young Tuareg | |
| Gambo Alkabous | ... | Young Tuareg | |
| Sidi Kasko | ... | Young Tuareg | |
| Azahra Attayoub | ... | Belqassim's Wife | |
| Maghnia Mohamed | ... | Belqassim's Wife | |
| Oumou Alghabid | ... | Belqassim's Wife | |
| Sidi Alkhadar | ... | Little Sidi | |
| Paul Bowles | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Mouss | ... | Bit Part (uncredited) | |
Directed by | |||
| Bernardo Bertolucci | |||
Writing credits(WGA) | ||
| Paul Bowles | (book) | |
| Mark Peploe | (screenplay) and | |
| Bernardo Bertolucci | (screenplay) | |
Produced by | |||
| William Aldrich | .... | executive producer | |
| Jeremy Thomas | .... | producer | |
Original Music by | |||
| Ryûichi Sakamoto | |||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Gabriella Cristiani | |||
Casting by | |||
| Celestia Fox | |||
| Juliet Taylor | |||
Production Design by | |||
| Ferdinando Scarfiotti | |||
| Gianni Silvestri | |||
Art Direction by | |||
| Andrew Sanders | |||
Costume Design by | |||
| James Acheson | |||
Makeup Department | |||
| Lynda Armstrong | .... | makeup artist | |
| Paul Engelen | .... | key makeup artist | |
| Colin Jamison | .... | chief hair stylist | |
| Barry Richardson | .... | hair stylist | |
Sound Department | |||
| Don Banks | .... | boom operator | |
| Paula Connor | .... | assistant dialogue editor | |
| Alan Corder | .... | assistant sound editor | |
| Pat Gilbert | .... | assistant foley editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Jack T. Knight | .... | sound editor (as Jack Knight) | |
| Tony Lenny | .... | sound editor | |
| Barry McCormick | .... | assistant sound editor | |
| David Motta | .... | sound engineer | |
| Rocky Phelan | .... | foley editor | |
| David Sharpe | .... | assistant sound editor | |
| Don Sharpe | .... | supervising sound editor | |
| Ivan Sharrock | .... | production sound mixer | |
| Paul Smith | .... | dialogue editor | |
Special Effects by | |||
| Renato Agostini | .... | special effects supervisor | |
| Danilo Bollettini | .... | special effects technician | |
Visual Effects by | |||
| Martin Body | .... | rostrum/optical cameraman (uncredited) | |
| Craig Chandler | .... | optical effects (uncredited) | |
Casting Department | |||
| Robin Lang | .... | adr casting | |
| Ellen Lewis | .... | casting associate | |
| Zakia Tahri | .... | casting: Paris | |
Costume and Wardrobe Department | |||
| Martin Adams | .... | costume prop | |
| Kahlid el Addar | .... | costume assistant: Morocco | |
| Abdelkrim Akallach | .... | costume assistant: Morocco | |
| Morris Angel | .... | costume maker | |
| Rosemary Badminton | .... | costume maker | |
| Michael Barber | .... | costume maker | |
| Jane Clive | .... | costume painter | |
| Shirley Cooper | .... | costume prop | |
| Naomi Critcher | .... | costume properties (as Niomi Critcher) | |
| Laura Day | .... | costume maker | |
| Magot Forster | .... | costume maker | |
| Frank Gardiner | .... | assistant costume designer | |
| Carole Hersee | .... | costume maker | |
| Amina el Kaouassma | .... | costume assistant: Morocco | |
| Julia Mansford | .... | costume assistant | |
| Richard Pointing | .... | costume supervisor | |
| Doris Raymond | .... | costume researcher | |
| John Birkinshaw | .... | costume assistant (uncredited) | |
| Helen Christie | .... | jewellery maker (uncredited) | |
Editorial Department | |||
| Roger Cherrill | .... | post-production | |
| Jocelyn Cousins | .... | post-production secretary | |
| Oliver Krimpas | .... | post-production runner | |
| Aldo Manni | .... | negative cutter | |
| Michael Rubin | .... | assistant editor: laserdisc | |
| Elvio Sordoni | .... | assistant editor | |
| Paul Swinburne | .... | editorial trainee | |
| Federico Umetelli | .... | editorial trainee | |
| Carlo La Bella | .... | color supervisor (uncredited) | |
| Neri Nazzareno | .... | final colorist (uncredited) | |
Music Department | |||
| John Altman | .... | conductor | |
| John Altman | .... | music arranger | |
| David Arch | .... | conductor | |
| David Arch | .... | music arranger | |
| Dina Eaton | .... | music editor | |
| Zena Hambly | .... | assistant music supervisor | |
| Richard Horowitz | .... | composer: North African music | |
| Matt Howe | .... | music engineer | |
| Steve Maguire | .... | assistant music editor | |
| Spencer May | .... | assistant music engineer | |
| Ray Williams | .... | music supervisor | |
Transportation Department | |||
| Pino Coletto | .... | truck driver | |
| Franco di Vincentzo | .... | truck driver | |
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| The English Patient | The Children of the Century | Kings & Queen | The Unbearable Lightness of Being | The Libertine |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
Please do not read this review if you have not yet seen the film, because I find it necessary to discuss elements of the film which reveal the plot.
The whole film was for me a long introduction into the silence of myself. I like the desert a lot, am not afraid of the void, when the mind can finally be still. Port also actually came home to Africa. He was ready to die, ready to leave behind his intellectuality, to get rid of the inner mess that was himself. Although he seemed unconscious of it, his inner soul brought him by force to his own roots. When in delirium his hands dance happily, demanding the music to continue, to push him through and out of this existence, Kit is left aside and alone, madness kissing her forehead for the first time, unable to stop the approaching avalanche which will sweep over both of their lives, leaving one dead. Kit, ...how one must feel going to a foreign country to mate again with the mate with whom you, through so many silly, careless incidents, have lost essential contact - and to suddenly find him dead and silent lying in front of you in the vastness of an indifferent desert. The desert we all live in unawares. "Oh, God, what have I done, how could I have allowed this to go so far?" Suddenly she wakes up to notice the immense impact of nothingness.
Her mind broken, she goes off with a Bedouin, and this is actually what I like most about the film. It allows me to let my mind break too, traveling with her through the desert, mostly listening to the silent sound of camels and bells and voices crying out in a strange unknown language.
Some of the professional critics didn't to go down that path. They need their thoughts to run incessantly, .. for them it must have certainly been a threatening movie, or so their comments would suggest.