The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
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The American artist couple Port and Kit Moresby travels aimless through Africa, searching for new experiences that could give new sense to their relationship. But the flight to distant regions leads both only deeper into despair. Written by
Thomas Manhardt <Thomas.Manhardt@wu-wien.ac.at>
The film was made and released about forty-one years after its source novel of the same name by Paul Bowles had been first published in 1949. See more »
During the final sequence, when Kit is back to the Grand Hotel and she is waiting in the car, she is wearing white shoes. But just after, when she escapes and is walking in the streets, she is using brown sandals. See more »
Well, terra firma.
We're probably the first tourists they've had since the war.
Tunner, we're not tourists. We're travelers.
Oh. What's the difference?
A tourist is someone who thinks about going home the moment they arrive, Tunner.
Whereas a traveler might not come back at all.
You mean *I'm* a tourist.
Yes, Tunner. And I'm half and half.
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It's hard to understand why this film doesn't get better reviews. Yes of course it's a reflective arty film where evoking feelings is more important than narrative drive. The amount of nudity, though in keeping with the story, does perhaps hinder its being taken seriously by some.
Surely though it succeeds as well as any film has in painting a cinematic picture of the experience of being a stranger in a strange land? The cultural barriers, dissonances, language, the maze of similar streets - everything comes together to create the feeling of utter helplessness Kit experiences when she tries to get help for the ill Port. The confusing weird relationships, often only partially depicted in the film heighten the sense of being adrift in life.
Together with some of the best ever desert cinematography rivaling even Lawrence of Arabia, North African music, noises, characters and colors this film is a rich feast for the senses indeed. And what a wonderful final voice-over, one of the most deep and thought-provoking lines in all the movies.
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