The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »
The American artist couple Port and Kit Moresby travels aimless through Africa, searching for new experiences that could give new sense to their relationship. But the flight to distant regions leads both only deeper into despair. Written by
Thomas Manhardt <Thomas.Manhardt@wu-wien.ac.at>
Paul Bowles, author - and thinly disguised subject - of the autobiographical novel on which the film is based, said, "It should never have been filmed. The ending is idiotic and the rest is pretty bad." This quote comes from a rare interview that was part of the film Let It Come Down: The Life of Paul Bowles (1998). See more »
During the final sequence, when Kit is back to the Grand Hotel and she is waiting in the car, she is wearing white shoes. But just after, when she escapes and is walking in the streets, she is using brown sandals. See more »
Well, terra firma.
We're probably the first tourists they've had since the war.
Tunner, we're not tourists. We're travelers.
Oh. What's the difference?
A tourist is someone who thinks about going home the moment they arrive, Tunner.
Whereas a traveler might not come back at all.
You mean *I'm* a tourist.
Yes, Tunner. And I'm half and half.
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Bernardo Bertolucci does not really make fast-paced movies, let's face it. But very often (The Last Emperor, Last Tango in Paris, La Luna,) they're beautifully crafted character studies set in amazing landscapes. Bertolucci also handles his cast with great talent and the performances delivered by actors in his movies are always intense. Here Debra Winger is captivating, and aptly supported by John Malkovich and a strong supporting cast. The story slowly unfolds itself, and the nuances in the script, dialogue, cinematography and acting are splendid. The throughout subtle presence of Paul Bowles adds great melancholy. When I first saw it on the big screen, I left the theater in a state of total despair, because the characters are so miserable.
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