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The Second Circle (1990)
"Krug vtoroy" (original title)

7.3
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Ratings: 7.3/10 from 371 users  
Reviews: 10 user | 10 critic

A man tries to come to terms with his father's death and to deal with the mundane details of his burial in a society cut off from spirituality.

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Title: The Second Circle (1990)

The Second Circle (1990) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
Pyotr Aleksandrov
Nadezhda Rodnova
Tamara Timofeeva
Aleksandr Bystryakov
R. Molokeyev
D. Samokhin
N. Sidash
O. Ignatov
F. Potapov
Sergei Vybornov ...
(as S. Vybornov)
Andrei Tenetko ...
(as A. Tenetko)
Stepan Krylov
V. Zhupikov
A. Popov
I. Butenin
Edit

Storyline

A man tries to come to terms with his father's death and to deal with the mundane details of his burial in a society cut off from spirituality.

Plot Summary | Add Synopsis

Plot Keywords:

death | snow | loss of father | coffin

Genres:

Drama

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Details

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Release Date:

25 October 1991 (Netherlands)  »

Also Known As:

A második kör  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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User Reviews

 
Great film in the Russian tradition
22 July 2006 | by (United States) – See all my reviews

Although this film was made in 1990 it is quite a good critique of the Soviet view of life and (especially) death. It is shot in a beautiful grainy black and white (or sepia and white) with some colors added as in Eisenstein's Ivan the Terrible, Part II. It has the look of a much earlier (1920's to 30's) Soviet film. The film takes place in a bleak Siberian snowscape of a Soviet industrial small town. The young man's father has died and he has trouble making meaning of the event. The frames of the film are filled with things--material objects. They overwhelm us (and the young man). The System treats the dead man as one of the objects, and help lead us to the inner despair of the hero. There's no hint of the 19th-century "beautiful death" idea here, let alone the American tradition of denying death's reality. The idea of a purely materialist world view is ever-present in this film. Probably the most stunning moment in this film has been mentioned by the other reviewers. I won't give it away any further. Suffice it to say that you will know it when you see it.


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