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Rosencrantz & Guildenstern Are Dead (1990)

 -  Comedy | Drama  -  8 February 1991 (USA)
7.7
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Ratings: 7.7/10 from 14,290 users  
Reviews: 118 user | 26 critic

Two minor characters from the play, "Hamlet" stumble around unaware of their scripted lives and unable to deviate from them.

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Title: Rosencrantz & Guildenstern Are Dead (1990)

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Cast

Cast overview, first billed only:
...
...
...
Livio Badurina ...
Tragedian
Tomislav Maretic ...
Tragedian
Mare Mlacnik ...
Tragedian
Serge Soric ...
Tragedian (as Srdjan Soric)
Mladen Vasary ...
Tragedian
Zeljko Vukmirica ...
Tragedian
Branko Zavrsan ...
Tragedian
Joanna Roth ...
...
...
...
Ljubo Zecevic ...
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Storyline

Showing events from the point of view of two minor characters from Hamlet, men who have no control over their destiny, this film examines fate and asks if we can ever really know what's going on? Are answers as important as the questions? Will Rosencrantz and Guildenstern (or Guildenstern and Rosencrantz) manage to discover the source of Hamlet's malaise as requested by the new king? Will the mysterious players who are strolling around the castle reveal the secrets they evidently know? And whose serve is it? Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Add Synopsis

Plot Keywords:

coin | destiny | pirate | drowning | backstage | See more »

Genres:

Comedy | Drama

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

Release Date:

8 February 1991 (USA)  »

Also Known As:

Rosencrantz & Guildenstern Are Dead  »

Filming Locations:

 »

Box Office

Gross:

$739,104 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

While on the ship bound for England, Tim Roth remarks, "I think I'll spend the rest of my life on boats." He does just that in the The Legend of 1900 (1998), in which his character spends his entire life on a cruise liner, never once stepping on dry land. See more »

Goofs

Throughout the movie there are scenes where day suddenly changes to night and vice versa. This is a running gag of Tom Stoppard plays which often have "time jumps" written into the stage directions. See more »

Quotes

[first lines]
[Rosencrantz and Guildenstern are riding horses down a path - they pause]
Rosencrantz: [to Guildenstern] Umm, uh...
[Guildenstern rides away, and Rosencrantz follows. Rosencrantz spots a gold coin on the ground]
Rosencrantz: [to horse] Whoa - whoa, whoa.
[Gets off horse and starts flipping the coin]
Rosencrantz: Hmmm. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads. Heads.
[Guildenstern grabs the coin, checks both sides, then tosses it back to Rosencrantz]
Rosencrantz: ...
[...]
See more »

Connections

Referenced in The Virgin Suicides (1999) See more »

Soundtracks

Seamus
Performed by Pink Floyd
Courtesy of EMI Records UK Ltd.
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User Reviews

 
Rosencrantz and Guildenstern, victims of circumstance...
13 July 2004 | by (Perth, Australia) – See all my reviews

Rosencrantz and Guildenstern Are Dead was one of my favourite films whilst growing up. The movie follows two irrelevant characters (irrelevant in that although they served a significant purpose, their characters were not developed in any depth... Rosencrantz and Guildenstern, as individuals, were relatively unimportant) through one of the most renowned stories ever told (Hamlet). It is a film about two characters that are completely unaware of the magnitude of the events taking place around them. This carries on throughout the entire film, and is also evidenced in their accidental discoveries of significant historical scientific findings (such as the steam engine or the concept of gravity). The characters stumble their way through the film, unaware of the consequences to their actions or their significance or importance.

The characters spend the entire film coming to terms with their existence. Shakespeare didn't provide any detailed character development of either Rosencrantz or Guildenstern, and as such, they are left confused as to the purpose of their own existence.

The film also looks at the concept of a predetermined destiny. Rosencrantz and Guildenstern's fate is already determined before the film begins. And although they play an important role in one of the greatest stories ever told, they are completely unaware of their destiny; they are merely victims of circumstance.

I should also note that the constant banter between the two characters (specifically in their 'Game of Questions') is pure quality.


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