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Romeo.Juliet (1990)

7.4
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Ratings: 7.4/10 from 125 users  
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The tale centers on an eccentric bag lady who rescues the stray cats of Venice and puts them on a boat to set sail for the new world.

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(as Armand Acosta)

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(play), (screenplay), 2 more credits »
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Title: Romeo.Juliet (1990)

Romeo.Juliet (1990) on IMDb 7.4/10

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Cast

Cast overview:
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La Dame aux Chats / Mercutio (voice)
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Romeo (voice)
...
Juliet (voice)
...
Mother Capulet (voice)
...
Father Capulet (voice)
...
Rosaline (voice)
...
Tybalt / Benvolio (voice)
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Storyline

The tale centers on an eccentric bag lady who rescues the stray cats of Venice and puts them on a boat to set sail for the new world.

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Release Date:

20 June 1992 (Belgium)  »

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The film is dedicated to Stan Laurel. See more »

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User Reviews

 
Odd, but sumptuously beautiful film
3 February 2003 | by (Seattle WA) – See all my reviews

Okay, right off, one has to get past the point that this is, aside from John Hurt, an all cat version of Romeo and Juliet. Got that? Okay.

But don't imagine some odd circus act. With narration by John Hurt, and Prokofiev's Romeo and Juliet as the score, it is was beautifully shot in Belgium and Venice. They're not really trained cats, they don't wear little costumes, it looks like they're regular cats that they coaxed to move across the sets etc. Then through slow motion effects and editing, they create an illusion of interaction that accompanies the narration. (In much the same way that R2D2 becomes a believable character in the first star wars.)

What recommends this film is the book, by Shakespeare of course, as read by John Hurt, accompanied by beautiful visuals. If you think of it as a picture book that happens to have cats in it, It is easier to lose yourself in.

Amazingly it was also shot in Standard Definition PAL video. Not even digital. It predates the first professional digital camcorders. I believe they did this because they needed to do so many takes to get what they needed from the cats. I heard they ended up with 200 hours of tapes.

I saw it in the transfer to 35mm film in a large theatre. It is certainly one of the best examples of this up to the time of it's production. Great care was obviously taken to work within the limitations of video's color and lighting boundaries. It is a marked contrast to so many of the sloppy and awful looking independent digital video productions that we've seen so much of lately.

Unfortunately it's likely impossible to see this film. Its interest is probably limited to Shakespeare enthusiasts who must see every version, and people interested in seeing a fantastic example of a feature shot on video.


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