Biography of actor Rock Hudson focuses on his struggle with his homosexuality. Based on the book by his ex-wife, Phyllis Gates, and on the court records from the civil suit brought by his ... See full summary »





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Cast overview, first billed only:
Phyllis Gates
Marc Christian
Henry Willson
Tim Murphy
Mark Miller
Joycelyn O'Brien ...
Don Galloway ...
French Doctor
Lawrence Dobkin ...
Raoul Walsh (as Larry Dobkin)
John Shepard ...
Captain 'Fighter Squadron'


Biography of actor Rock Hudson focuses on his struggle with his homosexuality. Based on the book by his ex-wife, Phyllis Gates, and on the court records from the civil suit brought by his former lover, Marc Christian. Written by John Sacksteder <>

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Biography | Drama





Release Date:

8 January 1990 (USA)  »

Also Known As:

La double vie de Rock Hudson  »

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Aspect Ratio:

1.33 : 1
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User Reviews

Censored "Closet"
9 December 2002 | by (Cleveland, Ohio) – See all my reviews

There are two things to consider here: the script's accuracy and the drama's effectiveness.

Since this is a bio, factual accuracy is important. However, the only authorities of what really took place are the real life subjects. In cases where only two people were involved in a situation--the late actor and second party--chances for proving historical accuracy are decidedly diminished.

The only guide one can have is what's been garnered from other sources: press articles, film documentaries, various bio books, and the like. There were so many "cover ups" to the Hudson career, that it's tough to tell where truth ends and urban legend begins.

Writer Dennis Turner obviously consulted court transcripts and legal documents among his sources, but who really knows what happened? William R. Moses' Marc Christian is played throughout like a sweet, innocent college junior; there's no hint there of anything but the purest of motives to his relationship.

Andrew Robinson's Agent Henry Willson is not shown devising the "marriage of convenience" to Phyllis Gates. Nor is Thomas Ian Griffith's Rock ever seen making love to his various partners beyond innocent embraces--not even a mutual kiss.

There's something irritatingly irresponsible about all of this, and John Nicoletta's overly cautious direction doesn't help.

Released just five years after the actor's death in 1985, it's a good guess the writing began shortly thereafter to capitalize on its subject.

Dramatically, there's not much more that emerges than tentative and superficial, with a cast trying its best to inject emotion into the enactment. Another film on Hudson is welcome--one with less sanitization and compromise and more sincerity and viewpoint.

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