Cyborg law enforcer RoboCop protects the citizens of Detroit by taking on a powerful drug syndicate, while a renegade OCP executive tries to create a new, superior RoboCop using a crime lord as its subject.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the Robocop 2 project, a living God. Written by
Aldo Della Rocca
While being reprogrammed by Dr. Faxx, Robocop identifies himself as "RoboCop: Crime Prevention Unit". The acronym for that designation is "CPU," which also happens to be the acronym for "Central Processing Unit," or a "computer" (commonly referring to desktop computers). See more »
When Robocop zooms up the elevator shaft, he suddenly disappears entirely before he reaches the top. See more »
MagnaVolt - the final word in auto security. No embarrassing alarm noise, no need to trouble the police... and it won't even run down your battery!
MagnaVolt! Lethal Response!
See more »
There are no opening credits to the film. Following the Orion logo, the movie launches straight into the Magnavolt commercial, part of one of the spoof Mediabreak news bulletins. See more »
THE KID GOES WILD
Performed by Babylon A.D., Courtesy of Arista Records, Inc.
Written by Derek David, Jack Ponitt & Vic Pepe
Published by BMG Songs, Inc., Little Elvis, Jack Ponti Music, Perfect Pen Music,
Warner Bros. Music Corp. (ASCAP) See more »
Okay now we're just being fed formula and who could blame them after the critical and financial business the original Robocop did. This sequel (beyond letting us know the people behind these movies are obviously trying to make a working franchise) tells us how hard it is to duplicate success on those rare instances where a science fiction movie breaks the mold and follow it up with something just as good or better. It's a weird trait that many sequels to successful movies succumb to, but then again, when the original does so many things right some level of disappointment or failings seem almost guaranteed. Dreary atmosphere, a workable story, sprinkles of dark humor, satisfying action pieces and some real emotion. The original had it all. It'd be a fantasy to think we were going to get this and more in a sequel.
We don't. This outing finds less of the dark humor and less of Murphy's humanity as he's tasked with going up against a new underground drug taking over New Detroit. Of course, things will come to a violent head and once again it will be Robocop's prime directive to make things right. Tom Noonan, who starts as the main villain is perhaps the best and the worse. A good actor can take an underwritten part farther than it was supposed to go, but only so far. Hence a key problem. Like most drug barons, especially in movie land, the one he plays is paranoid and prone to using violence. Which means the pursuit of cliché set pieces and scenarios like an obvious showdown between him and Robocop before the end (in some form). What maybe you don't expect is when half-way through the movie, the main villainy force becomes a 14 year old successor to a drug empire.
The premise is simple enough. Part man, mostly machine. He's not prone to annoyances normal human beings have to deal with like being shot, bleeding, dying... that sort of thing. He can be as detached from the world as he wants to be because let's face it, he is detached. Peter Weller reprises as Robocop. Nancy Allen is again along for the ride as his partner. OCP is still OCP. The headquarters for a faceless mega corporation built on greed. Those things haven't changed, but other more intimate story and atmosphere elements have.
Robocop 2 ends up not being a horrible outing. It is still very much entertaining and in due part to memories established by the original, but give me back more of that dark trashy New Detroit atmosphere as seen in the original. Give me less throwaway action scenes, 14-year old boy villains and mediocre stop motion effects. Most of all give me back the feeling that Robocop was fresh. I know that's hard to fulfill, but at least give me a glimmer of hope.
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