In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer. But as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Kane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path uses Kane as the new subject for the Robocop 2 project, a living God. Written by
Aldo Della Rocca
One of the buildings shown at OCP's demonstration of their plans for Detroit is the Bank of America building located at 700 Louisiana in downtown Houston (the orange building in three triangles). See more »
When Cain samples the blue Nuke, the liquid is seen trickling down the skin on his neck after he squeezes the ampule. See more »
MagnaVolt - The final word in auto security. No embarrassing alarm noise, no need to trouble the police... And it won't even run down your battery!
MagnaVolt! Lethal Response!
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There are no opening credits to the film; following the Orion logo, the movie launches straight into the Magnavolt commercial, part of one of the spoof Mediabreak news bulletins. See more »
There was no way this was ever going to be as good as Robocop but they could have done so much better. What's really missing is Basil Poledouris' wonderful fanfare theme tune. In its place we are giving some appalling brass'n'percussion with a chorus singing a ridiculous 'Robocop' theme on top. It's amazing how much music can change a film, and really, a decent score would have improved the film immensely.
Also, Rob Bottin's ultra-violent effects were sadly missed. The film is full of violence but it's mainly of the long-range bullets-hit-bad-guys type: the only thing close to the original's over-the-top nature was the brain removal and the stomach-slicing.
Phil Tippett is on hand, luckily, to deliver some entertaining stop-motion action scenes which really liven up the final scenes of carnage.
Sadly, the bad guys never come across as meanly as Clarence Boddicker did in the first, OCP seem unnecessarily annoying and the little kid is just annoying. It's not a TERRIBLE film but we really could have expected more from the man who brought us 'The Empire Strikes Back'.
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