In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the Robocop 2 project, a living God. Written by
Aldo Della Rocca
Designing the RoboCop 2/RoboCain had already begun before a full script was written. Craig Davies conceived the RoboCain with the idea that it looked almost unbeatable, and contained so many complex parts that the audience wouldn't be able to make sense of it. His first design was more animalistic in nature, but the initial director Tim Hunter insisted on a more anthropomorphic look, reasoning that humans still make the worst monsters. The final design was meant to look like a cross between an 'angry bodybuilder' with a Medieval knight, and have so many features that it would almost be the robot equivalent of a Swiss army knife. See more »
During Cain's rampage, a woman is shot in the leg. A man in a brown sweater rushes to help her and squibs are visible under his clothes before he is shot. See more »
MagnaVolt - the final word in auto security. No embarrassing alarm noise, no need to trouble the police... and it won't even run down your battery!
MagnaVolt! Lethal Response!
See more »
There are no opening credits to the film. Following the Orion logo, the movie launches straight into the Magnavolt commercial, part of one of the spoof Mediabreak news bulletins. See more »
THE KID GOES WILD
Performed by Babylon A.D., Courtesy of Arista Records, Inc.
Written by Derek David, Jack Ponitt & Vic Pepe
Published by BMG Songs, Inc., Little Elvis, Jack Ponti Music, Perfect Pen Music,
Warner Bros. Music Corp. (ASCAP) See more »
Not as terrible as some make out, but still a disappointment.
If you believe the video game that was made out of RoboCop, it was set in the same year that RoboCop 2 was released. RoboCop is simply one of the best films ever made, and it brought me much relief from a very sorrowful childhood. Which brings me to the point I am trying to make here: anything was going to be something of a letdown. Another rebuke I would like to make of other critics of this film lies with their complaint that the movie was too mean-spirited and had too much violence. Let me quote Paul Verhoeven's commentary about the original: "the whole style of the movie is 'too much'".
The real failing of this sequel lies in the story, which is full of threads that are either resolved badly (the attempt to reprogram RoboCop with new directives) or not resolved at all (RoboCop's memories of his wife). Considering that not a single second in the original was wasted when it came to drawing the viewer into the hero's mind or building some emotional connection, the lack of sympathy one feels with even Lewis or the Sergeant is worrying. Then there's the villian. A film with a superhero, like Robocop or the Bond series, is only as effective as its main villian. Cain is not an effective villian, and gets very little development in the bargain, the exact opposite of the situation with Clarence Boddicker in the original.
The mock commercials are something of a hit and miss affair. The OCP Communications commercial was hilarious, but the Sunblock 5000 commercial was just plain tasteless. The use of children in RoboCop 2 also counts against it. There were no children in the original, reflecting the fact that the film just wasn't made with children in mind. The use of children in RoboCop 2 smacks of a cheap attempt to appeal to the children who are allowed by their parents or whomever to see the film. It doesn't work because the writers are trying to transplant adult dialogue into a child's mouth. Similarly, the attempt to transplant the manner in which the Christian Coalition think children talk into Robocop fails.
All in all, RoboCop 2 is a passable sequel, but it pales in comparison to the harsh perfection that is the original. Give it a chance because it does have some entertainment value.
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