In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer. But as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Kane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path uses Kane as the new subject for the Robocop 2 project, a living God. Written by
Aldo Della Rocca
Peter Weller previously starred in Shakedown (1988) which came out a year after RoboCop (1987), where he played a New York City public district attorney who was defending a suspect of selling drugs and shooting an undercover police officer who happens to be corrupt. In this film, Weller as RoboCop is battling a drug lord Cain, who as an officer of the law is almost killed under his orders (completely taken apart in pieces) and is also battling a corrupt group of OCP officers and executives. See more »
When Robocop goes to the sludge plant to get Cain, his right hand gets shot off right at his wrist. Later, when they dump his parts in front of the police station, they throw out his right arm which is shown to be separated at the forearm. See more »
MagnaVolt - The final word in auto security. No embarrassing alarm noise, no need to trouble the police... And it won't even run down your battery!
MagnaVolt! Lethal Response!
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There are no opening credits to the film; following the Orion logo, the movie launches straight into the Magnavolt commercial, part of one of the spoof Mediabreak news bulletins. See more »
Okay now we're just being fed formula and who could blame them after the critical and financial business the original Robocop did. This sequel (beyond letting us know the people behind these movies are obviously trying to make a working franchise) tells us how hard it is to duplicate success on those rare instances where a science fiction movie breaks the mold and follow it up with something just as good or better. It's a weird trait that many sequels to successful movies succumb to, but then again, when the original does so many things right some level of disappointment or failings seem almost guaranteed. Dreary atmosphere, a workable story, sprinkles of dark humor, satisfying action pieces and some real emotion. The original had it all. It'd be a fantasy to think we were going to get this and more in a sequel.
We don't. This outing finds less of the dark humor and less of Murphy's humanity as he's tasked with going up against a new underground drug taking over New Detroit. Of course, things will come to a violent head and once again it will be Robocop's prime directive to make things right. Tom Noonan, who starts as the main villain is perhaps the best and the worse. A good actor can take an underwritten part farther than it was supposed to go, but only so far. Hence a key problem. Like most drug barons, especially in movie land, the one he plays is paranoid and prone to using violence. Which means the pursuit of cliché set pieces and scenarios like an obvious showdown between him and Robocop before the end (in some form). What maybe you don't expect is when half-way through the movie, the main villainy force becomes a 14 year old successor to a drug empire.
The premise is simple enough. Part man, mostly machine. He's not prone to annoyances normal human beings have to deal with like being shot, bleeding, dying... that sort of thing. He can be as detached from the world as he wants to be because let's face it, he is detached. Peter Weller reprises as Robocop. Nancy Allen is again along for the ride as his partner. OCP is still OCP. The headquarters for a faceless mega corporation built on greed. Those things haven't changed, but other more intimate story and atmosphere elements have.
Robocop 2 ends up not being a horrible outing. It is still very much entertaining and in due part to memories established by the original, but give me back more of that dark trashy New Detroit atmosphere as seen in the original. Give me less throwaway action scenes, 14-year old boy villains and mediocre stop motion effects. Most of all give me back the feeling that Robocop was fresh. I know that's hard to fulfill, but at least give me a glimmer of hope.
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