The Rainbow Thief (1990)

Director:

Alejandro Jodorowsky

Writer:

Berta Domínguez D.

Release Date:

19 January 1994 (France)

Genre:

Fantasy | Drama

Tagline:

You can just live. Or you can live it up.

Plot:

A petty crook, in search of the proverbial pot of gold at the end of the rainbow, hopes to cash in by befriending the heir to a huge fortune. |

Plot Keywords:

Clown | Surrealism | Thief | Boat | Chandelier

Cast

Peter O'Toole	...	Prince Meleagre
Omar Sharif	...	Dima
Christopher Lee	...	Uncle Rudolf
Francesco Romano	...	Marcus
rest of cast listed alphabetically:
Jude Alderson	...	Hortensia
Brigitte Barclay	...	Rainbow Girl
David Boyce	...	Clown
Jane Chaplin	...	Lady Jane
Brian Conway	...	Ambulance Attendant
Carolyn Cortez	...	Rainbow Girl
Peter Dennis	...	Winter
Joanna Dickens	...	Ambrosia
Berta Domínguez D.	...	Tiger Lily
Edward Donovan	...	Rolf
Linzi Drew	...	Madame Rainbow
Ian Dury	...	Bartender
Debbie Ferrari	...	Rainbow Girl
Amanda Jane Forbes	...	Rainbow Girl
Rachel Garley	...	Rainbow Girl
Chris Greener	...	Caesar, the Healer
Kay Hamilton	...	Miss Fenwick
Brian Hibbard	...	Madame Claire
Tom Hibbert	...	Ambulance Attendant
Kirsten Imrie	...	Rainbow Girl
Stephen Jenn	...	Michelle
Sheila Keith	...	Bernadette
Andy McEven	...	Barker
Declan Mulholland	...	Pug
Ken Parry	...	Snow
Ian Ricketts	...	Casket
Jean-Yves Tual	...	Col. Heywood
Marion Turner	...	Rainbow Girl
Kate Versey	...	Ambulance Attendant

Directed by
Alejandro Jodorowsky

Writing credits
Berta Domínguez D.

Produced by
Robert Taicher	....	producer
Johannes Weineck	....	executive producer
Vincent Winter	....	producer
Alexander Salkind	....	executive producer (uncredited)
Pierre Spengler	....	executive producer (uncredited)

Original Music by
Jean Musy

Cinematography by
Ronnie Taylor

Film Editing by
Mauro Bonanni

Production Design by
Didier Naert
Alexandre Trauner

Art Direction by
Terry Ackland-Snow

Set Decoration by
Simon Wakefield		(uncredited)

Costume Design by
Barbara Kidd

Makeup Department
Daniel Parker	....	animatronics and prosthetics
Monika Mirowska	....	assistant makeup artist (uncredited)

Second Unit Director or Assistant Director
Kevin Westley	....	second assistant director
Gary White	....	first assistant director

Art Department
Peter Francis	....	art depertment assistant

Sound Department
Jaya Bishop	....	sound trainee
Corinne Rozenberg	....	sound editor

Special Effects by
Martin Gutteridge	....	special effects supervisor

Camera and Electrical Department
Gary Cross	....	best boy
Clive Mackey	....	clapper loader
Alan Martin	....	gaffer
Nigel Seal	....	focus puller

Costume and Wardrobe Department
Alan Flyng	....	wardrobe master

Transportation Department
Mark Davies	....	unit driver (uncredited)

Other crew
Cheryl Leigh	....	script supervisor
Richard Styles	....	production runner (uncredited)

Production Companies

• Rink Anstalt
• Timothy Burrill Productions

Distributors

• KinoVista (2007-2009) (Russia) (TV)
• Rink Anstalt (international)
• Warner Home Video (????) (USA) (VHS)

Special Effects

• Effects Associates

Other Companies

• Shepperton Studios  movie studio
• Lee Lighting  grip and lighting equipment

Also Known As:

MPAA:

Rated R for some nudity

Runtime:

87 min

Country:

UK

Language:

English

Color:

Color

Sound Mix:

Dolby

Certification:

USA:R

Filming Locations:

Gdansk, Pomorskie, Poland

Company:

Rink Anstalt

Trivia:

Only theatrically released in France in 1994.

Movie Connections:

Referenced in The Jodorowsky Constellation (1994)

while only director, it still is, and feels, looks and sounds like, a Jodorowsky film, a very good one

How criminal is this - the only format that has *ever* been available for The Rainbow Thief in America is on VHS. Imagine this, a film starring Omar Sharif, Peter O'Toole and Christopher Lee, regardless of who directed it (though in this case the iconoclast/cult-icon Alejandro Jodorowsky), never got released in *theaters* let alone as of late on DVD. It's not that one must see it because it's a great lost masterpiece and yada-yada. It actually isn't. It's not as great a film as Jodorowsky's own Santa Sangre or The Holy Mountain. But as far as projects go that have been neglected by a major studio, Warner Brothers, this is one of the most notable to my mind. Especially because, when it comes down to it, it's quite possibly the filmmaker's most "accessible" movie to a mainstream audience.

This doesn't mean necessarily that it's like ET or something, since if only on the peripheral side of things it's as much a Jodorowsky movie as ever. In this story of a petty thief who robs and steals little things (i.e. an egg or a newspaper) to big things (i.e. an old record player belonging to a circus midget), we're put in a society where we're focused in on the outsider(s). We're mostly with Sharif throughout the picture as he goes along this lot of folk who live in the dregs, poor, destitute, or in the circus or the freak-shows, or working at the local pub. And the most significant scene showing someone living in a bourgeois setting, which is early on with Christopher Lee, it's in deranged excess with the Rainbow girls surrounded by Dalmatians and riding some motor-car. Even as someone else wrote it, and he was a "hired gun" as they say, this is nevertheless a Jodorowsky picture (for better or worse depending on the viewer).

But what makes it different from something like the Holy Mountain is, first, that Jodorowsky isn't out to blow minds away or find some kind of other consciousness through the power of cinema itself. This time he's telling a story that might have been written by Dickens; it has some of the qualities of a fable while also taking note of squalor and filth and the realities of living on the street and being among folk who dwell in the urban setting. Not to mention, of course, that Sharif and O'Toole spend their years waiting on the possible inheritance money from Uncle Rudolf in the sewer, with O'Toole doing ventriloquism with his (seemingly) dead dog. Second, for the first (and unless King Shot gets made only and last) time in his career, the director is working with major stars- reuniting Lawrence of Arabia's big names- and he deals with them as he would any other actor in his films, which is to let them go off in whatever direction they can to make it a better picture.

And, thankfully, their performances are wonderful, as is the bulk of the picture. While, yes, it is in some parts sentimental, particularly with the very end as one of those coda scenes that has that "it can happen in movies!" quality, it earns whatever sappy feelings come out because of how rich and full of life the film is. I say that it's his most generally accessible since one doesn't need to be a big art-house buff or into the ostensibly surreal midnight-movie scene to "get" it. The Rainbow Thief, with the possible exception of Tusk which I and most others have yet to see, is the only Jodorowsky film I'd be pretty happy to show to my mother. This may or may not come as strong praise, but at the least it's something of a minor crime that others can't have the choice to decide for themselves on DVD or at a revival screening somewhere.