Steve Thompson is a sixteen-year-old who seemed to have everything going for him: good looks, friends, and a great personality. But his once bright future is tragically dimmed after a car accident brings all this to a crashing halt.
Neil Patrick Harris,
A Vietnam War nurse, who was captured by the enemy and held prisoner of war for many years, escapes her captors and finds her way back to America. Upon returning to the States, she must ... See full summary »
Melanie is married to Keith Bauers, she has two beautiful children and she is rich. She decides to engage a girl au pair, Janine, who arrives from France. Everything seems to run perfectly.... See full summary »
Drew is a young woman who drives to a small town she has never been to while in a trance. A year ago in this town Laura, who looked just like Drew, was murdered. Everyone assumed that ... See full summary »
Candace Cameron Bure,
Casper Van Dien,
A man inadvertently gets caught near a car explosion, and after he recovers from his injuries realizes that he has amnesia. Soon evidence begins to mount that he could be "The Claw Hammer ... See full summary »
A remake of 1944's Lon Chaney film Weird Woman (the first was Burn, Witch, Burn! in 1962) is more of a horror spoof, as three women use witchcraft to help their professor husbands further ... See full summary »
A wealthy businessman is accused of murdering his wife to collect insurance money to pay gambling debts. Although his three sons initially believe his innocence, his actions and court evidence soon begin to prove otherwise.
David Barry Gray
Because he's the oldest, Jake has been the man of the house, since his parents divorce. When Mom starts seeing Sam, who always seems to be trying some new way to get rich quick, and ... See full summary »
Popular Leads Can Not Carry Film Due To Badly Constructed Script.
Projected as a "dark" comedy, one that calls for an adroitly composed scenario, this film instead receives its principal assistance from performances by the two leads, not nearly enough to offset a script that is full of holes in logic, and consistently routine, at best, direction that disregards opportunities for developing effective sequences of satire. A highly implausible and indifferently presented storyline has Ross (Robert Urich) and Marsha (Teri Garr) Pegler, urban social activists being forced by economic factors, largely related to an infant daughter, to move away from their metropolitan area and off into a suburb, there becoming owners of a cookie-cutter home within a bland housing tract, while yet resolute in their stand against the enticements of conformity, depicted here by such as welcome mats, PTA meetings, barbecue grills, and the like. Ross brings home an intercom in the guise of a clown's face as a method for keeping tabs upon their baby from various parts of their house, and soon after Marsha is startled when the device somehow intercepts a racy conversation from what is apparently a nearby cordless telephone, she thereby overhearing that the voices belong to an obviously adulterous couple, Don and Judy, who are plotting to murder one of their spouses. Marsha's bent toward involvement with social issues causes her to make an attempt at identifying the would-be killers and, hopefully, stopping them before they complete the act, all this without having a clue other than their first names, but when she tackles the investigative process she discovers that her new neighbourhood holds an incommodious surfeit of Dons and Judys. When a police detective is unsurprisingly reticent to involve his department with what he believes is Marsha's overactive imagination, she decides to become acquainted with a number of potential victims as well as suspects, thereby raising mild havoc among her neighbours, while additionally placing her marriage in jeopardy because of her interminable search for clues. Some elements of the plot are hopelessly improbable and flaccid direction by Williams cancels any hoped-for effect from presumed red herrings while Urich, and Garr who essentially directs herself, must bolster their parts with mugging. Potentially satiric aspects in the narrative, such as Marsha's increasing fondness for television soap opera, are occasionally depicted well, but the screenplay declines into a boring farrago for a film that is completely lacking in suspense, while being as well a waste of good acting talent, including that of supporting players. Originally shown as a television "movie of the week", the film was immediately thereafter released for video rental distribution based upon the popularity of the co-leads. There is no design for a DVD version.
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