Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an... See full summary »
When a man dressed as a clown enters a bank and tries to rob it, no one takes him seriously at start. But as this New Yorker pulls this daring robbery with the help of his friends, it looks like leaving the bank with all the stolen money is the easy part! All they have to do now is make it out of the city and to the airport. They have plenty of time, but its not that easy as they seem to get out of one problem only to fall into another. Will they make before the cops catch up with them? Written by
Sami Al-Taher <firstname.lastname@example.org>
According to show-business trade paper Variety, co-directors Howard Franklin and Bill Murray "became too attached to the project [during development] to bring anyone else in [to direct it]". See more »
Grimm shoots out the first camera from the left side of the camera yet we see the right side of the camera exposed after the gunshot. See more »
Honey, babe? You've got a gun - shoot them.
I want to, but they're fur-bearing. I'd need some kind of permit, wouldn't I?
[to construction workers, sarcastically]
You know, I want to thank you guys, you could've given us help, but you've given us so much more.
Street Sign Worker:
Hey, that's what we're here for, right?
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This is a clever and entertaining comedy that has some dramatic and romantic touches as well. It's almost two movies-in-one: a dramatic holdup and a comic getaway. The holdup scene does has comedy but is more dramatic. It reminded me of the '70s classic "Dog Day Afternoon" in which the hostages are kept by a couple of robbers and the crooks demand the normal assortment of getaway vehicles. Except in here, ringleader Bill Murray wants a "monster truck" along with everything else. You know with Murray you are going to get outrageous humor and satire.
Anyway, the bulk of the film concerns what happens after the trio - Murray, Randy Quaid and Geena Davis - after they successfully escape the holdup. The bottom line is that they just can't get out of New York City. One disaster after another keeps happening, and it's all kind funny (and frustrating!). The ending I won't spoil.
Murray plays his normal wise-guy role and Quaid is good as the emotional slapstick-type buffoon. For some reason, the scene in which Quaid runs full-tilt into a newspaper stand and knocks himself out almost had me in tears laughing. Davis complements the two with her coolness and eye candy for the male audience. Veteran Jason Robards plays the chief detective on the case, and shows comedic touches of his own.
What also is fun to watch nowadays is Tony Shalhoub. When this film came out, hardly anyone knew him. Now he's famous as "Monk" on the television series of the same name. In this film, he plays an Arabic cab driver and you have to see this performance to believe it! A couple of other familiar faces also show up in here, including Bob Elliot from the old radio duo of "Bob and Ray."
There is no sex, no bloodshed, just a lot of jokes but the "R" rating ought to tell you something about the language in here. The jokes and story were good enough on their own and didn't need all the profanity.
23 of 26 people found this review helpful.
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