Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an... See full summary »
When a man dressed as a clown enters a bank and tries to rob it, no one takes him seriously at start. But as this New Yorker pulls this daring robbery with the help of his friends, it looks like leaving the bank with all the stolen money is the easy part! All they have to do now is make it out of the city and to the airport. They have plenty of time, but its not that easy as they seem to get out of one problem only to fall into another. Will they make before the cops catch up with them? Written by
Sami Al-Taher <firstname.lastname@example.org>
The name of the monster truck was "Macho Maniac". It's make, model and color was a predominantly black 1981 off-road sport utility vehicle (SUV) Chevrolet C/K-Series Silverado Fleetside known as 'Rambo'. See more »
Grimm shoots out the first camera from the left side of the camera yet we see the right side of the camera exposed after the gunshot. See more »
A real man? Who has to use a gun and hold people prisoner? You're not a man. You're a coward.
She does not speak for the rest of us Mr. Clown. We think that you are quite brave and manly.
You big PUSSY! You're all a bunch of PUSSIES!
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Bill Murray is a great actor, his interpretations in movies which "Ghostbuster" or "Scrooges" are memorable. Quick Change represents his first and unique directional proof with the coo-direction of Howard Franklyn. The movie remembers the demential comedy of late 70s and middle 80s and even the picaresque genre consacrated by Martin Scorsese in "After hours" or John Landis in "Into the night". The special confluence of this two genres creates comic effects in chain reaction. The scenes with the taxi driver and the mobster are very hilarious and Geena Davis confirmed her special comic talent, while Randy Quaid is very funny in the role of the good-dumb. But the very director of the scene is Bill Murray, the movie is constructed for his particular way of acting. He is one of the American actors who knows very well Buster's Keaton lesson: make laugh without laughing. His comic style is a little bit more surrealistic and absurd of the one of the master, but Bill Murray his an actor of our times and the comparisons are always not possible. The only defect of this movie, and it's not a little thing, is to resemble to the story of many other movie. It's all so predictable that the only stuff we see is the speeches: it could be a programmed decision but in the long run it can also bore.
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