He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor's edge.
Broad satire and buffoonery presented as a series of movie trailers. Among the titles and subjects are: "The Howard Huge Story", "Skate-boarders from Hell", "The Invasion of the Penis ... See full summary »
Royce D. Applegate,
When a man dressed as a clown enters a bank and tries to rob it, no one takes him seriously at start. But as this New Yorker pulls this daring robbery with the help of his friends, it looks like leaving the bank with all the stolen money is the easy part! All they have to do now is make it out of the city and to the airport. They have plenty of time, but its not that easy as they seem to get out of one problem only to fall into another. Will they make before the cops catch up with them? Written by
Sami Al-Taher <email@example.com>
The DVD sleeve notes describe the film's robbery as "Clown Day Afternoon" - a phrase which is a spoof of the title of the earlier Al Pacino heist drama Dog Day Afternoon (1975). See more »
When Grimm first enters the bank he tells nobody to move. He charges towards a woman with a dog saying "What did I just say?". When he was walking up the dog owner was "hugging" the dog around the neck and no collar or tags can be seen. Immediately following she is just holding the dog with the collar and tags resting on her hand. See more »
It was an accident, Phyllis.
Oh, you know? So was Chernobyl.
True, but Loomis didn't irradiate anybody.
See more »
This is a clever and entertaining comedy that has some dramatic and romantic touches as well. It's almost two movies-in-one: a dramatic holdup and a comic getaway. The holdup scene does has comedy but is more dramatic. It reminded me of the '70s classic "Dog Day Afternoon" in which the hostages are kept by a couple of robbers and the crooks demand the normal assortment of getaway vehicles. Except in here, ringleader Bill Murray wants a "monster truck" along with everything else. You know with Murray you are going to get outrageous humor and satire.
Anyway, the bulk of the film concerns what happens after the trio - Murray, Randy Quaid and Geena Davis - after they successfully escape the holdup. The bottom line is that they just can't get out of New York City. One disaster after another keeps happening, and it's all kind funny (and frustrating!). The ending I won't spoil.
Murray plays his normal wise-guy role and Quaid is good as the emotional slapstick-type buffoon. For some reason, the scene in which Quaid runs full-tilt into a newspaper stand and knocks himself out almost had me in tears laughing. Davis complements the two with her coolness and eye candy for the male audience. Veteran Jason Robards plays the chief detective on the case, and shows comedic touches of his own.
What also is fun to watch nowadays is Tony Shalhoub. When this film came out, hardly anyone knew him. Now he's famous as "Monk" on the television series of the same name. In this film, he plays an Arabic cab driver and you have to see this performance to believe it! A couple of other familiar faces also show up in here, including Bob Elliot from the old radio duo of "Bob and Ray."
There is no sex, no bloodshed, just a lot of jokes but the "R" rating ought to tell you something about the language in here. The jokes and story were good enough on their own and didn't need all the profanity.
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