A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty ... See full summary »

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(as Alan Smithee: television prints)

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(book), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Al Reilly
...
Bobby Texador
...
Kevin Quinn
Lee Richardson ...
Leo Bloomenfeld
...
Luis Valentin (as Luis Guzman)
...
Sam Chapman (as Charles Dutton)
...
Nancy Bosch
...
Roger Montalvo
International Chrysis ...
Jose Malpica
...
Larry Pesch (as Dominick Chianese)
...
Nick Petrone
...
Preston Pearlstein
Gustavo Brens ...
Alfonse Segal
Martin E. Brens ...
Armand Segal

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Storyline

A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

When the questions are dangerous, the answers can be deadly.

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

27 April 1990 (USA)  »

Also Known As:

Tödliche Fragen  »

Filming Locations:

 »

Box Office

Gross:

$11,207,891 (USA)
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Company Credits

Show detailed on  »

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Runtime:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sidney Lumet: the director was unhappy with the way this movie was edited for television so he had his name removed and replaced with the pseudonym "Alan Smithee" for the television broadcast version. See more »

Goofs

Chief Quinn asks ADA Reilly why he did not attend St. John's Law School. Hutton says his father didn't like the Jesuits. St. John's University is not a Jesuit institution. It is conducted by the Vincentians. See more »

Quotes

Leo Bloomenfeld: [telling Al Reilly about Kevin Quinn] He's a prick. He's a racist and an anti-Semite and a prick. He wants to be Tom Dewey, and he will be. He married for politics and all he can see is way clear to God knows how high up. Years ago, when we still had executions in the state, he used to volunteer as a witness. Yeah, his first murder case, uhh he was a young A.D.A. then and I'm talking years ago... The case was shaky, circumstantial and he wanted a recommended death penalty from the jury. Before ...
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Connections

Referenced in Queens Logic (1991) See more »

Soundtracks

QUE SERA SERA (WHATEVER WILL BE, WILL BE)
Written by Jay Livingston and Ray Evans
Jay Livingston Music/St. Angelo Music
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User Reviews

 
Probing the police
18 March 2015 | by (United Kingdom) – See all my reviews

Sidney Lumet does what he does best. Tell a story about law and order in New York and look into police corruption.

Timothy Hutton plays Reilly, a young former cop turned assistant district attorney asked by the police commissioner (Patrick O'Neal) to look into the shooting of a Puerto Rican criminal by detective Brennan (Nick Nolte) who claims it was self defence. The commissioner tells him that its an open and shut case and also tells him that if its not in the Q&A then it did not happen.

However Hutton is determined and finds flaws in Brennan's story and the case leads him to a charismatic Puerto Rican crime boss called Bobby Tex (Armand Assante) whose wife was once Hutton's girlfriend until he discovered she was mixed race.

It looks like Brennan is an out of control cop who is trying to get rid of some select criminals on behalf of someone at the top. The commissioner turns out to be a hypocrite as he later tells Hutton that he is taking the Q&A too seriously.

Nolte gives a larger than live performance as the foul mouthed, racist, homophobic, brutish cop who is a legend in the department. The first one through the door and is willing to break the law if necessary. His fellow cops know better to cross him and have to put up with his jibes. However he does not run away with the acting stakes as he is matched by Assante and Hutton.

Assante gives a scene stealing performance as the drug dealer who just wants to get out of the business alive. He knows Brennan is dangerous and frankly he knows too much hence why he wants out. This was an era when Assante looked to have broken through and had a good run of films in the early 1990s.

Timothy Hutton could had been a brat packer in the early 1980s. He was a contemporary of Tom Cruise, Sean Penn but separated from them early on for the simple reason by 1981 he was a best supporting actor Oscar winner. Since then Hutton decided to work with acclaimed directors or make interesting even offbeat films. The result is he might not be as well known today to cinema audiences but he has had a varied filmography.

Here Hutton plays the earnest ADA who is out to cross swords with Brennan but he himself is flawed. His father was a cop and might had been on the take. His treatment of his former girlfriend suggests he might also be a racist himself.

This is a moderately budget, moody, noir thriller. Ruben Blades matches the mood with his soundtrack. Director Sidney Lumet was in the twilight of his career and this was maybe his last great film. Of course he was probably jaded with the criminal justice system by then and you always sense the film has a cynical and depressed air about it. That the system is rotten to the core and cannot be fixed.

Lumet gets his actors to pull out top performances and even some of the minor characters make their mark.


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