Pump Up the Volume

What a film!!, this is a film that very accurately represents how it feels to be unpopular, or the new kid in high school. Slater gained much respect from me for his terrific performance is Hard Harry, a new kid at a school where the staff don't seem to care about the students, Harry runs a pirate radio station as an anonymous student at the high school, and shares his feelings about the school, he gains a large following of students who feel the same way he does, but then trouble starts. This is a truly great film, with great performances, this is probably the "Rebel Without A Cause", for our generation. ***1/2 out of ****.

Pump up the Volume (1990) is perhaps one of the most inspiring films that ever found their way to the celluloid forum. Upon viewing the film for the first time as a ten-years-old kid back when it was released in cinemas, I remember feeling profoundly moved by the main lead and the events his character sets in motion. This genuine masterpiece doesn't only teach us about leadership and the ability of one individual to make a difference in the world; it is also a triumph of the human spirit in general and of the youth over decadent grown-up ideas specifically.

The story presents us Mark Hunter (a then young and extremely talented Christian Slater), a teenage high school student that moves with his parents from the big city to the suburbs, when his father gets a new job as an educational consultant for a middle-America region. The days are the early nineties, when internet was probably considered radical science fiction at best, and Mark finds himself all of a sudden pretty lonely in the new school. Luckily, his parents buy him a ham radio in order to keep connected with his friends back east, and Mark finds a unique way of passing time by transmitting his thoughts about the suburbs and the lousy life of 1990 teenagers, using his ham radio as a local broadcast device. Upon gaining fame and listeners, Hunter adopts a pseudonym, one "Happy Harry Hard On" which brings messages of freedom of speech and thought to his fellow classmates at school. When stumbling upon information concerning illegal steps his school has taken regarding problematic students, things start to get out of control. As Mark, he tries to keep a low profile and doesn't blend in with the ongoing events, but as Harry he feels he must take a stand and speak up his thoughts and ideas. But can a voice be heard without its owner taking responsibility to its actions?

The notions and ideas which arise upon viewing Pump up the Volume are intriguing and fresh until this very day, 16 years after its initial release. For the younger ones, it teaches how to stand up for what you believe in and try to right society's wrongs. For grown-ups, it serves an interesting conflict about the bounders of democracy and the part the media plays in each and every one of our lives. Look out for Samantha Mathis's powerful role as Nora DeNiro, Hunter's female admirer, and one of the only people around him that know he's behind the controversial broadcasts. Also look out for a very very young Seth Green (Austin Powers, Without a Paddle) as one of the students that helps spread Harry's tapes across the school.

On a personal note, I have to say that I hold credit to this movie for a lot of who I am in my grown-up life. The film taught me I could use my words to make a difference, and for the past ten years I've been doing just that as a journalist and newspaper editor here in central Israel. For that I will always be thankful to the makers of Pump up the Volume, and I suspect it'll stay my all-time favorite for years and years to come! Naturally, I rank this one a must-see film, with a 10 out of 10 rating.

When "Pump Up The Volume" came out in 1990, I wanted to BE Christian Slater. Now that it's already been twelve years since it was released, I still can't believe how well it's held up. Aside from a couple of things that make it dated (I'm referring mainly to the opening credit sequence and the way some of the characters dress...mulletts WERE acceptable back then), the message remains the same and I think that's what has made this movie stand the test of time. Along with "Heathers", this is some of Christian Slater's best work ever. His performance alone is enough to reccommend this one, but that combined with the message, make it a cult classic. They don't make movies like this anymore.

This is a good movie let down by uneven direction and 1-dimensional characters (besides the 2 leads). I would probably love this movie a lot, had I seen it when it came out in 1990. Now, the teenage angst (Slater's rants) thing is getting tiresome and whiny to me. Nevertheless, I want to point out how wonderful the scenes between Slater and Mathis are, in particular the scene where they kind of tangoed around each other and the scene where they had their first kiss. These scenes are full of playfulness, seduction, anticipation and uneasy charms. I hope there are more good movie roles to come for both of them.

Lastly, I think the DVD release could really use some special features, like audio commentary by the director, Slater and Mathis. Since this is Slater's personal favorite, it'd be great to hear his perspective.

For me, it's one of the movies I saw once nearly 30 years ago and yet I well remember heaps of scenes and details and even facial expressions of minor characters.

It's a good movie and the soundtrack is extremely good.

Not much happens here, so there's little to spoil. Which completely fits the theme of the movie. Full throttle Gen X angst, apathy, boredom. Few non Gen X'ers will get much out of this movie. And if asked by Boomers or Millenials, Gen X will try for 30 seconds to explain it, realize it's impossible and give up. Oh well, whatever, never mind.

There is one significant flaw (IMHO) and that's Slater's father and one of the school personnel look extremely similar, making some of the scenes confusing.