Mickey, Donald, and Goofy live in a land where everything is dried up and dead. The only food they have is one loaf of bread, even Donald's plans of killing their cow fail. So Mickey ... See full summary »
Mickey is looking after the orphans. He tells them the story of Gulliver (with Mickey in that role) in Lilliput, though without the satire and bawdy bits. The story ends with Mickey fighting a giant spider, about twice his size.
Max Hare is boxing Toby Tortoise, and beating him severely in round one. Between rounds, a Mae West lookalike tells Toby she "likes a man who takes his time", which seems to reinvigorate ... See full summary »
Mickey is heading out on vacation from Burbank to Pomona, taking the train. The conductor, Pete, won't let him on with Pluto, so he hides Pluto in his suitcase, and tries to hide him all ... See full summary »
A delivery stork mistakenly delivers Lambert, a lion cub, to a flock of sheep. The mother won't let the stork take him back, so Lambert is raised as a sheep, but he just doesn't fit in. He ... See full summary »
The two foolish little pigs escort Red Riding Hood on a short cut through the woods, against the advice of their bricklayer brother. When they encounter the wolf, Red runs ahead to granny's... See full summary »
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
The two foolish little pigs think crying "wolf" on their brother is great sport. Then the real wolf comes around, with his three little wolves. He dresses as Little Bo Peep, with his sons ... See full summary »
Long ago in a land with an ailing king, there was a pair of boys who looked exactly alike, a pauper called Mickey and the other, the Crown Prince. Mickey dreamed of plenty and an easy life as Royalty and the Prince dreamed of the freedom as a subject. Happenstance throws them together and their mutual resemblence inspires the pair to switch identities to see how the other lives. To their surprise, Mickey learns of the duties and responsibilties of royalty while the Prince learns to his horror that the Royal Captain of the Guard has taken advantage of the existing power vacuum to inflict brutal tyranny on the subjects. Now the Prince must react to this evil, unaware that the Captain knows about the identity swap and is using it to his own advantage while dominating Mickey who play the Heir to the Throne. Written by
Kenneth Chisholm <email@example.com>
Out of all the versions out there of the Prince and The Pauper, this is my personal favourite. Then again I may be biased as I am a massive Disney fan, but this is wholly memorable and beautifully done. Yes, it does condense the classic to an extent, but with everything so enjoyable here I don't care really. The artwork is perfectly reasonable; the backgrounds are colourful and the movements of the characters aren't at all stiff on the most part. The music is wonderful, and in a lot of scenes has a real impact on what's going on, especially the jailbreak, the Captain's henchmen's actions had me in stitches. While a vast majority of it is very funny, especially with the characters of Donald Duck and even more Goofy, the part with Mickey at the king's deathbed was a real tearjerker, and one of the more poignant Disney moments, along with Bambi's mother's death, Mufassa's death, the ending of Hunchback of Notre Dame and the silly symphony Ugly Duckling. Mickey is appealing in the duel roles, and Pete is a delightful villain. The voice acting is top notch, the late Wayne Allwine in particular as Mickey. All in all, a condensed but hugely enjoyable take on the Mark Twain classic. 10/10 Bethany Cox
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