Mickey, Donald, and Goofy live in a land where everything is dried up and dead. The only food they have is one loaf of bread, even Donald's plans of killing their cow fail. So Mickey ... See full summary »
Mickey is looking after the orphans. He tells them the story of Gulliver (with Mickey in that role) in Lilliput, though without the satire and bawdy bits. The story ends with Mickey fighting a giant spider, about twice his size.
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
The two foolish little pigs think crying "wolf" on their brother is great sport. Then the real wolf comes around, with his three little wolves. He dresses as Little Bo Peep, with his sons ... See full summary »
Mickey is heading out on vacation from Burbank to Pomona, taking the train. The conductor, Pete, won't let him on with Pluto, so he hides Pluto in his suitcase, and tries to hide him all ... See full summary »
Max Hare and Toby Tortoise are having a foot race. Max has much more style, and is generally cocky. He pauses for a short nap, to chat up the bunnies outside a girl's school (and show off ... See full summary »
Long ago in a land with an ailing king, there was a pair of boys who looked exactly alike, a pauper called Mickey and the other, the Crown Prince. Mickey dreamed of plenty and an easy life as Royalty and the Prince dreamed of the freedom as a subject. Happenstance throws them together and their mutual resemblence inspires the pair to switch identities to see how the other lives. To their surprise, Mickey learns of the duties and responsibilties of royalty while the Prince learns to his horror that the Royal Captain of the Guard has taken advantage of the existing power vacuum to inflict brutal tyranny on the subjects. Now the Prince must react to this evil, unaware that the Captain knows about the identity swap and is using it to his own advantage while dominating Mickey who play the Heir to the Throne. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Maybe this film is not the best that Disney's has produced, but it has many merits of its own. For one thing, the artists have managed to have at least have an element of the satire of the Twain book as with the Prince's lesson about the only two lines you need to learn as a king.
Furthermore, while the humour is excellent, the film allows for at least a few moments of legitimate drama. Nowhere is this more evident than when the Prince learns that his father has died. You see Mickey in mourning and then soulfully rise to his new responsibility as the true heir to the throne who must end the tyranny he has seen among his people. It's an inspiring moment to see the boy realize the weight of his duties and face them with a new maturity.
This film is a stellar effort from Disney's second golden age.
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