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|Index||251 reviews in total|
What is it about this movie that made it such an instant mega smash
when it was released? I'm not sure if it's The incredible chemistry
between Gear and Roberts, the smart dialog, the storyline-combination
of all of the above-etc etc. But I do think These days, so few GREAT
romantic comedies get made. Pretty woman is great. I enjoyed every
moment of this and have seen it many times.
I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!
Obviously similar to Shaw's "Pygmalion", but updated, more modern.
A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.)
However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)
She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.
But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.
"the bad stuff is easier to believe. you ever notice that?" -
ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"
the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.
and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.
an enjoyable 8!
Wow! Richard Gere and Julia Roberts give magical performances as a shrewd businessman and a lovely prostitute. I was really moved by the blend of humor and romance. The romance was what really moved me. I thought that Edward (Richard Gere) and Vivian (Julia Roberts) looked good in the attire they wore to the opera in San Francisco. Oh, boy, if you ask me, Julia Roberts did, indeed, look like a pretty woman in this movie. PRETTY WOMAN really tugged at my heart and soul and made me laugh at times. Don't say I have a twisted sense of humor, but I laughed really hard when Edward yelled at Stuckey (Jason Alexander) to get out of his hotel room. If I ever travel to Beverly Hills, I'm going to stay at the Regent Beverly Wilshire, that is, if I can afford it. Before I wrap this up, I'd like to say that I think Richard Gere and Julia Roberts each deserved an Academy Award for their performances. Now, in conclusion, I recommend this star-studded hit to anyone who's a fan of Richard Gere or Julia Roberts. You'll laugh, you might cry, you'll be touched, and you'll want to see this box-office smash over and over again.
Pure Hollywood fluff story that is so smart and sports such a dynamite cast that it becomes one of the more wonderful films of the period. "Pretty Woman" is pop culture at its finest as Julia Roberts (in an Oscar-nominated, icon-making role) is a prostitute on the mean streets of Los Angeles who gets a big financial break one night when she meets up with cold, but lonely business guru Richard Gere. They immediately create a bond and have a night of passion which soon becomes a week-long partnership with Gere and Roberts posing as love interests (and of course $3000 is involved as well). Could it be possible that Roberts, a lady with a heart of gold in spite of her background, is just the thing Gere has been needing in his life? A trumped-up adult-oriented version of "Cinderella" is probably the best way to describe "Pretty Woman". The old Hollywood story gets a glossy new look thanks to director Garry Marshall (doing arguably his finest film-making work). Gere and Roberts make for one of the more attractive pairs the cinema has ever seen. They just shine beacons of light on one another it seems. The fact that both are very good performers definitely enhance their appearances though. A smashing soundtrack and that vivid 1980s style (even though this was released in 1990) make "Pretty Woman" one of the big winners of the last few years. 4 stars out of 5.
"This is Hollywood where people come to fulfill their dreams! Some
dreams come true and some don't! Believe in your dreams!"
While visiting Los Angeles for a week, Edward Lewis borrows his friend's car and gets lost on Hollywood Boulevard... He asks a hooker for directions... She proposes to help him for 5 dollars... For $20, she accepted to show him where the stars live...
Edward invites her to join him in his hotel suite, but not for sex...
Enjoying her company, he offers her to be his 'date' for a series of business activities including a strategic dinner and a pool match... Out of the 'bargain,' she gets $3,000 cash, a classier wardrobe and a visit to the opera...
All the characters of the film are convincing, original and sympathetic, feeling comfortable with each other... Director Gary Marshall did a great job...
Ideal for the role is Richard Gere... He plays the terrific rescuer who 'free' Vivian from the streets conducting her to his penthouse suite... He is handsome, charming and shy... 'Henry Higgins' at his best... But Edward Lewis is a millionaire... He buys companies that are in financial difficulty... He takes them apart and sells the pieces for more than he paid for the whole... "It's strictly business", he tells Vivian... "You and I are both such similar people. We both screw people for money." Edward's only defect is that he hurts what he loves... He wins a certain imaginative power by how painful that treason is...
Julia Roberts plays Vivian Ward, an attractive and smart hooker with a heart of gold... She gives her character a great sense of humor, charming Edward with her honesty... She is intensely appealing and amusing, making any man feel comfortable...
Into the snobbish clothing store, she delivers a great exit line, just devastating the saleswomen... The song is terrific as the scene... In the hotel lobby, she walks in a 'killer' red dress... She learns which fork to use in the formal dinner meeting, projecting an escargot through the air... At the opera she innocently asks: "Where's the band?"
There's more than a touch of Eliza Dolittle in her role, specially when she decides she wants more from Edward than money... She gets the perfect rescue scene with a limousine, a fire escape, a balcony, birds, music and red flowers...
Hector Elizondo turns a supporting role into more than that... He plays the formal, intolerant hotel manager... He takes an affection to his best customer's "niece" and trains her on which fork to use at a fancy dinner... His amusing performance as Edward's smooth competent hotel manager nearly shapes Roberts and Gere...
Ralph Bellamy is incredibly good as the aging millionaire, creator of a small company Edward is trying to take to pieces...
Laura San Giacomo plays Vivian's pal roommate, her first role since she played the amorous sister in "sex, lies & videotape."
"Pretty Woman" is a contemporary Hollywood fairy tale, a sweet romantic comedy, an innocent love story in the middle of self-interest and agreement... It remains as an entertaining motion picture that had women calling out the delights of true love...
Keep on dreaming!
What can I say that hasn't been said? This immensely popular, modern
fairy tale romance is a fantastic 'feel good' must see. I can't resist
watching it every single time it comes on TV. To tempt you if you
haven't seen it...it's the story of a feisty, good hearted hooker named
Vivian Ward, who is hired for a week by a wealthy businessman, Edward
Lewis, to serve as his escort at a number of business related social
functions. Needless to say, the relationship doesn't stay 'just
business' for long.
Rather than the plot itself, the beautiful Julia Roberts makes this movie...and not simply because of her 88 inches of leg! Always endearing in her roles, she is at her absolute MOST endearing portraying Vivian in this picture. She brings a real vulnerability to the role, showing us that just like everyone else, prostitutes do indeed floss their teeth! Richard Gere pulls off quite convincingly the role of Edward, the ruthless, calculating millionaire businessman, who takes over companies only to sell them off piece by piece, quite unmindful of the interests of any people involved. To give Gere credit, I was quite impressed that he actually plays the piano in one of the movie's scenes.
Naturally, given Vivian's membership in the 'oldest profession', there is sex early on...though I, old fashioned and strict as I am, wouldn't hesitate to let my young teen see this movie. (There's worse in TV commercials today!) Oddly, the most truly intimate moment in this film is not during the more explicit sex but rather, simply a kiss.
Ohhhh, lots of romantic scenes, from a picnic in the park to jetting off in a private plane for a Big Night on the Town. And etiquette lessons...Vivian displays charming, amusing, curious innocence when she experiences with Edward her first opera (all the while looking knock out gorgeous in a stunning red gown), her first polo match, and her introduction to escargots. As the movie progresses, she is transformed Pygmalion style, from the street smart hooker provocatively dressed in tall black boots and mini skirt, to a sophisticated looking, elegantly gowned and coiffed young lady. But it's merely appearance...Vivian's heart of gold and her vulnerability both remain unchanged.
The status conscious snobbery of Beverly Hills dress shops and ritzy hotels, judging people by wealth and class, is well depicted here. When Vivian goes shopping for a 'more appropriate' wardrobe at some exclusive Rodeo Drive boutiques, she is not 'well received' by the sales ladies, who like all too many of us, are overly inclined to judge by appearance. You'll want these snobs to get their comeuppance. Actually, perhaps the most touching relationship in this entire film is the one between Vivian and Barney, the quite proper but kind desk manager at the high class hotel (where she is sharing a penthouse suite with Edward), who is able to see beyond appearance. He develops a genuine fondness and even more importantly, respect for her.
Other characters of interest...Kit is Vivian's appealing and sympathetic room-mate, also a hooker (Vivian's a loyal friend), and Stuckey is Edward's sleazy and despicable business colleague, portrayed by Seinfeld's Jason Alexander, a TV show which I must confess is not my favourite.
As events unfold during the film, it becomes clear that, while Edward might not understand too clearly the meaning of 'prostitution', Vivian clearly does. And, it's another shining film illustration of that pearl of wisdom from Eliza Doolittle (of My Fair Lady) who enlightened us, 'The difference between a flower girl and a lady is not how she behaves, but how she is treated.' Or, in Vivian's own words, 'People put you down enough, you start to believe it'.
Great Cinderella movie...don't miss it.
I love this movie...like a Cinderella story for adults, with facts of the real world: a human (and man) fairy godmother for example, a prince, everything!!! About Julia, what can I said? I'm a very big fan, and the way She transforms a prostitute into a princess is phenomenal, She make it real too. Richard Gere was a 80's prince charming, no perfect but with a lot of things that make you said: "I want one for home". Maybe if you are 20 or younger you'll be no identify with the music, but for oldie's: "It must have been love" and "What women do" will take you to your best times! If you like romantic stories, that make you smile, cry and dream, this is the ideal and No.1!!!!
This was the ultimate example of Hollywood glorifying prostitutes and
showing them to be gorgeous (and basically good-hearted) women. I do
NOT speak from experience but from number of real-life cop-friends I
can tell you this: you average hooker looks the OPPOSITE of Julia
Roberts (or Melanie Griffth or Elizabeth Shue and all the rest of the
hooker-hotties Hollywood throws at us.)
Hokey? Definitely, but it's still a fun movie which has entertained most people who have watched it the past 15 years. Roberts and Richard Gere certainly make a handsome couple. Hector Elizondo almost steals the show with his minor role as "Barney," the hotel manager. He is definitely the most humorous character in the film.
It's a funny, charming and romantic film that was a big hit. Just don't believe it when Hollywood continues to glamorize the worst aspects of society, something it always does.
The first time I saw this was when I was with a date, and she thought
it was an awesome movie. I didn't.
The second time I saw this was last night on TV. It still sucks.
As a love story this sucks. As having Julia portray a street hooker, this is repulsive. To me she was a librarian with a miniskirt and heels. She had no tough shell to her. She wasn't tortured, anguished, enraged, starving or anything else. Her "HOOKER" character was so flawed, like comparing a cubic zircon to a diamond. The two simply don't fit, no matter what they look like.
The ONLY cast I felt was worth watching was the 2 bitchy saleswomen, whom were excellently cast. They did such a fine job that I hated them for the few seconds that they were on screen. They had real definition, for the minor roles. OK, so the movie wasn't entirely trash...the two ignorant saleswomen saved the film.
Aside from those two women sales people, the rest of the cast...including the big names was just crap. Either everybody was an ass-kisser or had absolutely no reason to fill any dialog in the movie aside from just complimenting Julia Roberts or kissing ass to Richard Gere.
This was a movie about how when you walk around in high-heels and a tight skirt in Beverly Hills, people leer at you and guys who work in hotels gawk as if they just had a baseball bat struck to their face.
While in reality, the women who are dressed to the nines in Beverly Hills are hookers and prostitutes to a higher degree, but since they aren't wearing the gaudy Madonna looking jewelry or the patent boots, they can look down on the others who do.
The hotel cast was sickeningly sad to watch, and anybody who had any real character had less than a minute of screen time.
This is an insult to romantic movies, comedies, dramas and even to prostitutes who face wealthy customers on a daily basis with hopes of having their lives work out perfect.
The story is about Julia Roberts being PIMPED (yes PIMPED) by a multimillionaire in a business suit and limousine.
She is still owned, still told how to act, how to move, what to wear, what to say, where to go and what to do. He is more controlling than a street pimp, but the folks at Disney/buena vista butter it up to make it easier to swallow.
Had Richard Gere been a black man with a gold tooth and an AK-47 at his side instead of an attaché case, this movie would be about how a woman has to struggle to get away from the harshness of prostitution. Same story, different characters will make a very different outlook.
Oh yeah, change the white man for a black man or Asian or Spanish, have the land business deal be changed to a deal of weapons or narcotics and the entire concept of romantic comedy is thrown away.
As far as I'm concerned, Pretty Woman is still trash, dressed with ribbons and bows.
I didn't like it 15 years ago, when I didn't understand it and was led by the Hollywood hype. I hate it now that i can see past the pretty decorations that is called "love".
This movie is NOT a romantic comedy. It's a story on how to control a woman as long as you have the means and income to do so.
This is an insult to strong women, weak women and women in general, as well as to my television screen.
Do I hate it? Yes. Does it suck? Yes Would I recommend it to you? NO...well maybe if I really hated you.
Will this review get posted? We'll see.
Anywayz, that's all for now.
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