Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who finds her mother still treats her like a child. Despite these problems - and further ones to do with the men in in her life - Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too. Written by
Jeremy Perkins <firstname.lastname@example.org>
Lowell tells Suzanne that none of the airport scene can be saved because it was shot without any cutaways. However, the scene is obviously edited as the characters jump about 3 feet farther from the camera as they walk from past a pole between the ticket counter and the passport control desk. See more »
You know, you're not going to get a lot of sympathy. Do you know how many people would give their right arm to live your life?
But that's the problem. I can't feel my life. I look around me and I know so much of it is good. But it's like this stuff with my mother. I know that she does these things because she loves me... but I just can't believe it.
Maybe she'll stop mothering you when you stop needing mothering.
You don't know my mother.
I don't know your mother, but I'll tell you something. ...
[...] See more »
Debiee Reynolds/Carrie Fisher or MacLaine/Streep? It doesn't really matter. A comedy that swims around a theme without ever getting anywhere. To see Streep and MacLaine together is enough to make this a collector's item. The cheerful side of the Ingrid Bergman/Liv Ullman grim Ingman Bergman "Autumn Sonata" I know that Carrie Fisher with her American wit was telling us something, something personal but did it have to be so shallow? There is nothing about this characters with a hint of depth. Drugs and alcohol part of a culture in permanent denial. Maybe that's what it is. We're witnessing the replicas of what used to be human beings. The hurt is so flimsy. He may have told a million women that they smelled like Catalina, so what? Didn't she notice the phoniness in Dennis Quaid's smirk? I had to rush and see "Plenty" and stare into Meryl Streep's face to be reminded of her greatness. Not that she's bad here, not at all, she's wonderful, it's the character that made me recoil in horror. Okay, enough of that. the combination of MacLaine and Streep is terrific and the film will keep you entertained even if, like in my case, will leave you with a toxic aftertaste.
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