Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who finds her mother still treats her like a child. Despite these problems - and further ones to do with the men in in her life - Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too. Written by
Jeremy Perkins <firstname.lastname@example.org>
When Suzanne speaks to the pianist before performing, "you don't know me", there is a clearly visible red tape mark on the ground to instruct her where to stand. See more »
Will you please tell me what is this awful thing I did to you when you were a child!
Okay, you want to know? Do you?
I want to know! Tell me!
Okay, FINE! From the time I was 9 years old, you gave me sleeping pills!
That was over-the-counter medication, and I gave it to you because you couldn't sleep!
Mom! You don't give children sleeping pills when they can't sleep!
They were not sleeping pills! It was store-bought and it was perfectly SAFE! Now don't blame ME for your drug-taking! I do not ...
[...] See more »
Great performances by Meryl Streep and Shirley MacLaine. They are both hilarious and poignant in this Carrie Fisher story about a show business daughter coming through the process of working out emotional trauma and baggage in relation to her mother, upbringing and subsequent addiction problems. Also especially good is Gene Hackman in a small supporting role and a cameo by Rob Reiner. Streep and MacLaine carry this film with their talents and are very entertaining as they confront each other and themselves about personal flaws and foibles. What makes this work so well is the smart and oblique humor that is employed to address the internal pain of the main character. I also liked the little jabs at the movie industry itself as well as its nonchalant way of revealing some of it's visual tricks too.
One particular touching and bittersweet scene is between Hackman (as movie director) as he comforts Streep (an actress he's working with) with a sort of lighthearted understanding and encouragement to overcome her drug addiction as he builds her up with appreciation of her talent.
Considering the obvious autobiographical nature of this story for Fisher, it would appear to be sort of a catharsis for her. She does a good job in bringing painful personal issues to light with humor through her writing. Personal pain and demons often seem to be the source of great art and entertainment as well as amusement for many artists and through their art, for the rest of us as well. This is a case in point and definitely worth the time.
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