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Postcards from the Edge (1990)

 -  Comedy | Drama  -  14 September 1990 (USA)
6.6
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Ratings: 6.6/10 from 9,635 users   Metascore: 71/100
Reviews: 44 user | 28 critic | 18 from Metacritic.com

Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »

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Nominated for 2 Oscars. Another 3 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Joe Pierce
...
Grandma
...
Grandpa
...
...
Simon Asquith
Gary Morton ...
Marty Wiener
...
Julie Marsden (as C.C.H. Pounder)
Sidney Armus ...
Sid Roth
...
...
Carol
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Storyline

Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who finds her mother still treats her like a child. Despite these problems - and further ones to do with the men in in her life - Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Having a wonderful time, wish I were here.

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 September 1990 (USA)  »

Also Known As:

Recuerdos de Hollywood  »

Filming Locations:


Box Office

Gross:

$37,963,281 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Debbie Reynolds reportedly wanted to play the role of Doris Mann, loosely based on herself. However, director Mike Nichols personally requested Shirley MacLaine. See more »

Goofs

When Suzanne speaks to the pianist before performing, "you don't know me", there is a clearly visible red tape mark on the ground to instruct her where to stand. See more »

Quotes

Suzanne: When did you see Jack last?
Evelyn Ames: Umm, Saturday. Saturday night.
Suzanne: I was with him Saturday afternoon. That's two girls in one day.
Evelyn Ames: And that's just the ones we know about. Think what you could find out if you had one of those satellite things.
[laughs]
Suzanne: How can you laugh? It's completely disgusting! Especially in this day and age.
Evelyn Ames: You look like someone who can take care of herself. Buy some condoms. Don't feel bad. He probably really likes you. If you can just... enjoy yourself with him like he's enjoying...
[...]
See more »


Soundtracks

I'm Still Here
Written by Stephen Sondheim
Performed by Shirley MacLaine
See more »

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User Reviews

 
Triumph For Fisher
15 February 2002 | by (Maui) – See all my reviews

Great performances by Meryl Streep and Shirley MacLaine. They are both hilarious and poignant in this Carrie Fisher story about a show business daughter coming through the process of working out emotional trauma and baggage in relation to her mother, upbringing and subsequent addiction problems. Also especially good is Gene Hackman in a small supporting role and a cameo by Rob Reiner. Streep and MacLaine carry this film with their talents and are very entertaining as they confront each other and themselves about personal flaws and foibles. What makes this work so well is the smart and oblique humor that is employed to address the internal pain of the main character. I also liked the little jabs at the movie industry itself as well as its nonchalant way of revealing some of it's visual tricks too.

One particular touching and bittersweet scene is between Hackman (as movie director) as he comforts Streep (an actress he's working with) with a sort of lighthearted understanding and encouragement to overcome her drug addiction as he builds her up with appreciation of her talent.

Considering the obvious autobiographical nature of this story for Fisher, it would appear to be sort of a catharsis for her. She does a good job in bringing painful personal issues to light with humor through her writing. Personal pain and demons often seem to be the source of great art and entertainment as well as amusement for many artists and through their art, for the rest of us as well. This is a case in point and definitely worth the time.


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